Based on Spike’s TV show of the same name, Deadliest Warrior: The Game takes seven combatants from the first season and the Roman Centurion from the second and pits them against each other in one of the most fun and brutal fighters to have come along in some time. With only eight fighters and five arenas to do battle in, this game works perfectly as a XBL title; available for 1000 Microsoft points (roughly $8).

The gameplay is near flawless as you can hack and slash your way through a difficult arcade mode to unlock new weapons and costumes for your favorite warriors or try your hand at proving that you are the deadliest in online versus and tournament modes. And trying to unlock new weapons can be surprisingly addictive due to each weapon having various attributes in terms of damage they can deal and the speed with which they can be wielded at so that it is unlikely you’ll have two exact fighters even if they are selected from the same class.

A unique aspect to Deadliest Warrior: The Game is the chance of a one-hit kill due to the realism the game focuses on (a spear through the face is an instant kill and for good reason). The realism that the game incorporates makes many fights faster than most fighting games, but this also makes you less likely to go in swords-a-swingin’ and make you think some before you actually attack. Include a simple, straightforward combat system that features high, mid, low, projectile, and signature attacks each assigned to their own button and Deadliest Warrior: The Game is the best kind of fighter, one that is easy to pick up but difficult to master.

The graphics are also very impressive. From limbs being hacked off and blood gushing around the arenas to the facial expressions of the warriors themselves, Deadliest Warrior: The Game is very pretty. There are a couple of minor glitches, but extra effects like dead bodies twitching at the end of each round more than make up for it.

There are some flaws to the game though. The game lags on occasion and the audio is very bland as a whole. It would have been nice if the game could have been livened up a bit with commentary from the hosts of the show, Geoff Desmoulin, Max Geiger, and Dr. Armand Dorian, or the show’s narrator Drew Skye. With only some generic music, roars of pain from the combatants, and the anticipated SFX of metal on metal leaves you wanting a little more from the audio side of things.

The plot is also non-existent really compared to your standard fighting game. It’s hard to critique it though since it’s the same premise as the show, to find out “who is deadliest?” In that aspect it has more of a simulation feel because the player really decides the storylines. What would happen if a knight took on an Apache? Or how about a samurai against a ninja?

Something that makes this game one of the best XBL titles out there though is the replay value. Aside from your standard online versus modes, there are promises of increasing the fighter roster as the show goes on and more medieval fighters are revealed. You could have a roster of 30 fighters before the show is done. If that happens, I would hope that the developers also include some new arenas.

The only other thing that fans of the show may be wondering is why all the fighters are of the medieval variety. Well, it wouldn’t be very fair to have Al Capone tear a Viking apart with his tommy gun now would it? Maybe they’ll come out with a sequel for modern warriors. I call dibs on the IRA!

Although flawed, Deadliest Warrior: The Game is a fun, unique fighter that is a bargain considering it is only going to cost you $8. Nevermind Limbo, Deadliest Warrior: The Game is the way you’re going to want to kick off your Summer of Arcade.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 9.0: A couple of minor glitches crop up here and there, but twitching dead bodies and blood spurting by the bucketful more than makes up for it.

Audio: 5.0: Generic music, expected SFX, and no commentary take away from the overall experience unfortunately.

Gameplay: 9.5: Unique fighter aspects like one-hit kills and the ease with which you can pick this game up make it a great overall fighting experience. Lag does crop up on occasion though and that’s the only thing that keeps this from being perfect.

Plot/Plot Development: N/A: After giving it some thought, I list Deadliest Warrior: The Game more as a simulation and therefore plot is a non-factor.

Replay Value: 7.5: You have your standard online versus and tournament modes, but the promise of more fighters for download as the show continues will make you come back to this more often than typical fighters.

Overall (not an average): 8.0: A few minor flaws can’t overshadow the legitimately solid experience that Deadliest Warrior: The Game delivers and I know I can’t wait for the first batch of new fighters to be released.

Deadliest Warrior: The Game is available now on Xbox Live.

-Ray Carsillo

One of the most difficult things in this process has been whittling down what we felt were the most worthwhile games to look at, so we broke it down into four videos. The first video is a compilation featuring online and DLC games with the following three videos being a summary of the rest of the best from each day. For the games that we had to cut for the sake of time, I apologize tremendously. I also wish we could have given every game we did feature their own special video.

On that note, without further ado, below is the culmination of my three days at the L.A. Convention Center for E3 2010. I hope you all enjoy.

The first video was my online/DLC game special that features looks at the new Deadliest Warrior game from Spike Games that comes out next Tuesday, DCU Online from Sony Online Entertainment, QuickHit.com and their brand new NFL license, and Blacklight: Tango Down from Ignition Entertainment.

Our first day at E3 was a special day overall and had us see some spectacular looking games for consoles. Our video of Day 1 features Tron and Epic Mickey from Disney Entertainment, Castlevania: Lords of Shadow from Konami, and Test Drive Unlimited 2 from Atari.

On the second day of E3, console games and their peripherals were well represented once more as we looked at Vanquish from SEGA, Shaun White Skateboarding and Ghost Recon: Future Solider from Ubisoft, WWE All-Stars from THQ, and the new Wii Exercise Bike from Big Ben Interactive.

On the last day of E3, we had a chance to look at some of the most hyped games for consoles and some sweet accessories when we looked at Call of Duty: Black Ops and Spider-Man: Shattered Dimensions from Activision and some sweet products from Nyko and iGUGU.

Videos by Jared Bodden

-Ray Carsillo

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

The Prince of Persia series of the last generation of consoles was one of the most successful and critically acclaimed series to come out during its era and so it was no surprise that Ubisoft would want to somehow continue it on the current generation of consoles. The problem was that there was really no room to continue the story after it was so perfectly tied together with its final chapter. The solution? An interquel! Thus, we have the Prince of Persia: The Forgotten Sands.

Naturally, the only place to expand on the trilogy would be in the seven year gap between the first chapter in the trilogy, The Sands of Time, and the second chapter, The Warrior Within, since the third chapter, The Two Thrones, took place immediately after Warrior Within and left no room for expansion (unless they wanted to go more in-depth about the Prince and Kaileena’s relationship on that boat of theirs… probably not a lot of gameplay there, but it might’ve provided for some interesting mini-games). In order to leave more room for later expansion and maybe the return of the Warrior Within’s nemesis, the Dahaka, Forgotten Sands takes place immediately after Sands of Time.

Now that we’ve banged out the timeline continuity, let’s get into the actual story. Our young hero, still not nearly as jaded as we would find him to be in Warrior Within, is sent by his father immediately after the events of Sands of Time to meet his brother, Malik, in the hopes that some of his leadership skills would rub off on our young prince. Upon arriving in his brother’s kingdom, the Prince finds Malik’s capital under siege and immediately puts to use his infamous agility as he begins to scour the city for his brother.

Once he catches up to Malik, the Prince finds that Malik is so desperate to win the battle, knowing that his forces have been nearly wiped out, that in a last ditch effort before retreat, Malik reveals to the Prince an ancient seal he has inherited. This seal supposedly will unlock the gates to a mystical sand army that the once great King Solomon had control over. Malik figures if he could control the army, he could turn the tide of war. It wouldn’t be much of a game though if Malik’s plan came to fruition.

As soon as the seal is inserted, it snaps in two as sand begins pouring out into the treasure room of Malik’s palace. The Prince, once again played by Yuri Lowenthal, quips that it always seems to be sand as only he and Malik are saved from the gruesome fate of being turned into sand statues by the remaining magic in the two halves of the seal. The Prince must now find a way to re-imprison the sand army that is running havoc around Malik’s city while discovering the secrets of King Solomon’s ancient city.

If you are a fan of the Prince of Persia trilogy from the last generation of consoles, then you will absolutely love Forgotten Sands. The Prince flows just as smoothly as ever as he uses his infamous agility to still hop along walls, columns, and flagpoles with as much as grace as in any previous game in the trilogy. There have also been new fighting mechanics added to the game as the Prince now uses not only his entire body and environment as a weapon with his typical jump kicks and acrobatic swinging sword somersaults, but several new powers that he acquires over the course of the game.

There is still the classic rewinding of time introduced way back in Sands of Time, but now there is also the ability to control the elements of wind, water, fire, and earth as the Prince’s new medallion made out of his half of the seal allows him an entire new power set. This new power set also allows for brand new puzzles for the Prince to traverse. Abilities like being able to freeze and unfreeze water has the Prince bouncing back and forth between frozen water ropes and trying to perfectly time when to turn waterfalls into walls and back. Also, being able to reverse time for not only the Prince, but also structures in the environment, creates a whole new challenge in terms of “looking before you leap”.

These new powers also help in the pumped up fights that the modern consoles can handle. There are times now where you are facing entire rooms full of twenty or thirty sand soldiers now, instead of only five or six like in most points in the original trilogy, so being able to call up stone armor or create a whirlwind around the Prince can really help even the odds.

The game also shines in terms of graphics on modern consoles. Never has a Prince of Persia game (even compared to the one that came out in December of 2008) looked so good. From facial expressions to Malik’s collapsing palace, Forgotten Sands is a visual gem. When you throw in a fantastic score and great voice acting from all those involved, including Yuri Lowenthal returning as the voice of the Prince, and this game’s peripherals are top-notch.

Of course, no game is perfect though. Even with all the great gameplay elements of the original trilogy successfully being ported over to this new chapter along with some tremendous additions in terms of puzzle solving, the game still has a couple of faults. Some irritating mid-jump glitches can make the already frustrating traps even more difficult to traverse.

More frustration comes through with the fact that even though the new systems can support more enemies, many of them are just as simple minded as ever and fall like bowling pins as they are knocked over by the agility of a well-trained Prince. The lack of enemy A.I. helps contribute to the fact that the story mode should only be about a 10-hour romp for most experienced players.

Another weak point of the game is that there isn’t much to keep you playing this beyond the short story mode. There isn’t even a hard mode. There is a second mode called “Enemy Tides” that you can unlock after beating the story mode where you try to defeat eight waves of enemies as quickly as possible, but you’ll be so experienced with your powers by the time you finish the game that you should blow through it on your first try with little difficulty. There are some collectibles and the hopes of powering up your Prince more to maybe bring you back for a second playthrough, but this is unlikely.

After having several intense playing sessions with Prince of Persia: The Forgotten Sands I have to say that if you are a fan of the series, then this is a must pick up. If this is your first foray into this series, I would recommend a rental first, but this is still a game that most every action/adventure gamer should enjoy.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 10.0: From the smallest grain of sand on the ground to Malik’s collapsing palace, and with spectacular faces and models for all the characters, Prince of Persia: Forgotten Sands is one of the best looking games out there now.

Audio: 10.0: Spot-on SFX, a fantastic score that perfectly sets the mood, and superb voice acting from all those involved, including the return of Yuri Lowenthal as the Prince, and the game is a treat for your ears.

Plot/Plot Development: 9.0: I admit that I was a little hesitant with the fact that the newest Prince of Persia game was going to be an interquel, but the folks at Ubisoft did a really good job tying it into the first game. The only problem I have with it is that I would have liked to have seen a tease of the Dahaka at some point since he is such a major force in the Prince’s life later on.

Gameplay: 8.0: The gameplay is very good and the action is as always tremendous in a Prince game. Unfortunately, poor enemy A.I., some glitches, and only 10 hours of gameplay knocks this down a little.

Replay Value: 4.0: This is where the game really falls flat. The “Enemy Tides” survival mode was a nice idea, and I’m sure there will be a little DLC later on, but no hard mode and a minimal of collectibles in the story mode will keep you from playing this after getting through the story.

Overall (not an average): 8.0: A fantastic game to play through the story once, but unless you are an established fan of the Prince of Persia series you should rent this before full out buying it. Still though, this is at least a must experience for every action/adventure fan out there.

Prince of Persia: Forgotten Sands is out now for Xbox 360, PS3, PC, Wii, PSP, and Nintendo DS.

-Ray Carsillo

Taking place six months after the end of the first movie, we find the world loving Iron Man. It seems that Tony Stark (Robert Downey Jr.) is on top of the world and no one, not congress, not the US Armed Forces, and not rivals like Justin Hammer (Sam Rockwell) can take him down. Unfortunately, the thing that has helped Tony rise to the glorified status he has reached, is also killing him. The miniature arc reactor in Tony’s chest is slowly poisoning him and the more he uses his Iron Man suit, the faster the poison spreads throughout his body.

Meanwhile, a physicist named Ivan Drako (Mickey Rourke) is plotting his family’s revenge from the confines of a shack in Siberia. Drako blames Stark for his family’s poverty and will stop at nothing to hasten the process of Stark’s death. Using blueprints that Ivan’s father helped Tony’s father develop and researching Tony’s own work on the arc reactor, Ivan makes his own miniature arc reactor. Instead of creating an entire suit of armor though, Ivan designs a simple harness that can be hidden beneath his clothes and two energy conducting whips that can uncoil at a moment’s notice from the harness.

As Tony privately counts down his last days and races for a cure to the poison in his chest, he must also contend with rivals and enemies he doesn’t even know he has yet. It looks like Tony will be forced to call for a little help from his friends.

Iron Man 2 is a great new chapter in the canon that Marvel is creating with their motion pictures, but is not as good as the original Iron Man. Robert Downey Jr. is Tony Stark. There is no acting involved, he just is. The way he delivers his lines is brilliant and I can’t think of a better actor to personify a character. The humor delivered by Downey and several of the other characters like Happy Hogan (Jon Favreau) though is a little dry and predictable at times.

A major problem I had with the movie was the development of Whiplash/Ivan Drako and how they took two villains from the comic book canon and combined them poorly into one. Whiplash was nothing but a common thug in the comics and the Russian with a vendetta who stole Stark’s technology was the Crimson Dynamo. I appreciate that Marvel was trying to modernize the character since the whole “Communist Russia” that inspired the Crimson Dynamo is gone, but they could have kept the character and only changed his history some. Plus, the huge red armor would have probably looked cool.

Continuing with my problems with the character development, let’s look at War Machine. Don Cheadle was a great choice to replace Terrance Howard and he pulled off the Yin to Robert Downey Jr’s Yang perfectly, even if I would have liked to see a little more interaction between the two. My problem was how War Machine came about. Justin Hammer took stolen armor and modified it? That’s so far off course from the comics I can’t even start to dissect where they got that idea from, but I hated it. And why in a movie full of AC/DC music, was the song “War Machine” off the Black Ice album not used?

Speaking of great casting, Scarlett Johansson as Black Widow/Natalia Romonova. Wow. I loved watching Scarlett in a skin-tight black cat suit doing flips and kicking butt. Only thing I had a problem with, as a diehard fan of the comics, is that they didn’t go much into her background and they never once referred to her as Black Widow, but it was understandable because she was more of a minor character in this movie.

A minor gripe I have is the fact that the scene from the commercials where Pepper Potts (Gwyneth Paltrow) kisses Tony’s helmet and chucks it out the back of the airplane has been cut. Is this just something to save for the DVD or was there a legitimate reason that you purposely cut a scene you were using in your major TV ads?

My final complaint is that the last fight scene was anti-climatic compared to the 20-minute slugfest from the first film. Although fun and entertaining, the best fight scenes came in the middle of the movie with the suitcase suit (which was awesome) and made the end scene look like they were tying up loose ends.

On the positive side, it was nice to see that all these extra characters that were introduced were not forced into the series, but were eased in. The casting was spectacular for all these characters, as well, from Garry Shandling as the primary US Congressman against Tony to Scarlett as Black Widow. Also, the special effects were top of the line as expected. I always “geek-out” whenever I see Tony use those three dimensional computer models with JARVIS, his suit A.I. and butler.

All in all, minor complaints aside, Iron Man 2 is a fun, fast-paced action/adventure/comedy that does its predecessor justice, but does not surpass it. Well done by Marvel overall and I would strongly recommend that any fan of the first movie check out Iron Man 2.

Iron Man 2 gets 7.5 out of 10.

I really thought that Iron Man 2 was a solid movie, so I was hopeful that the game wouldn’t be a total screw up.

What I’ve noticed from many recent games based on movies is that they try to extend the story portrayed in the movie, either as events leading up to the movie, or events immediately following the movie. Two recent examples of this that come to mind were Terminator: Salvation and GI Joe. Iron Man 2’s video game, a third-person shooter/action/adventure title developed by Sega, falls into the “after the movie” concept.

The game opens up with Tony’s archives building being attacked by robot drones. Immediately Tony and Rhodey scramble to the scene and try to quell the chaos with repulsor beams and mini-guns blazin’. For the most part they are successful, but after checking all his files, Tony finds that part of his original program for JARVIS, his electronic butler and suit A.I. program, has been stolen. Knowing what could happen if that A.I. fell into the wrong hands, Tony and Rhodey start following a trail of breadcrumbs to find the culprits.

A simple comic book plot that ties well into the canon that the movies seem to be developing, the villains in the game are new adaptations of classic Avengers/Iron Man villains. Advanced Idea Mechanics (A.I.M.), Roxxon, Crimson Dynamo, and Ultimo all make appearances in a much deeper plot than is initially revealed in the opening level of the game and is done in a way that makes sense for this new movie universe, but stray far away from the comics. For example, Tony Stark in this new universe now creates Ultimo, one of the most formidable of villains of the Avengers and originally created by Hank Pym. An interesting account of these classic characters, but purists will flip over this for sure.

So, the plot may be workable, but a story alone does not a great game make. This game from a technical standpoint feels rushed. The graphics look like they were something from the last generation of consoles. NPCs looked cartoony and out of place and the backgrounds were bland at best.

The audio was unimpressive also. The voice acting was solid, but the dialogue was uninspired and I was disappointed that only Don Cheadle and Samuel L. Jackson lent their voices to the game (I hereby declare my love for Scarlett Johansson). The music lent to the game from several rock bands was good, but they didn’t get any AC/DC, which is a clear theme for the movies. I think that is proof positive that this game was rushed to hit store shelves along with the movie hitting theatres.

The biggest downfall of this game though is the gameplay. This game is chock full of glitches, the controls felt unnatural (especially the flying where you’re constantly crashing into walls or obstacles), and made the game much harder than it needed to be. Mind you, the difficulty of the game was somewhat impressive, but it wasn’t because of a good enemy A.I., but because of sheer numbers and health handicaps when you up the difficulty. And even then, you only have eight missions that should take most veteran gamers only 8-10 hours to complete on hard. On easy, this game isn’t even worth a rental since there is no strategy necessary when playing (out of curiosity, I played a few levels on easy after beating the game on hard, and it was a joke, especially in terms of being able to procure a lot of the achievements). Plowing in headfirst will almost always win the day.

Another weakness of the game is the replay value. If you actually enjoy playing this game, there are new armors and power ups that you can acquire by repeating levels. Also, in four of the eight missions you can choose between playing as War Machine or Iron Man to get a different feel between War Machine’s offense heavy strategy and Iron Man’s defensive minded maneuvers. Some kind of multiplayer or co-op mode with both heroes would have gone leaps and bounds for this game and because of that there is really nothing to bring you back to this game. I don’t even think there is enough to bring you to this game once actually.

When you sit back and look at this game with a careful eye, you see the framework for a very solid third person shooter/action/adventure game. Unfortunately, it looks like Sega, either of their own volition or pressure from Marvel, rushed this game, plain and simple. Every element of this game seems incomplete, from the graphics to the gameplay mechanics. It seems that Iron Man 2 has fallen into another summer blockbuster pattern: the corresponding video game is usually nowhere near the quality of the movie.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 5.0: The models for people and villains are solid, but a lot of scenery clearly has a poor polygon count and seems incomplete or very basic at points. A very rushed job by the folks at Sega.

Audio: 6.0: The soundtrack was solid, but a lack of AC/DC was disappointing considering how important it was for the movie. Also, the fact that only two actors from a star studded cast signed on to do the game is a joke, even when they’re actors of Samuel L. Jackson and Don Cheadle’s calibers.

Plot/Plot Development: 6.0: Not a bad story that works well with the new universe created by Marvel’s movies, but die-hards of the comics will want to throw a brick through their TVs and use the game disc for some skeet shooting.

Gameplay: 3.0: Chock full of glitches and a poor control scheme makes this game a chore to play at best. Add in an uneven difficulty system and only about 10 hours of gameplay on the hardest difficulty and you’re looking at something that should be put on the scrap heap.

Replay Value: 5.0: There are only eight missions in the game’s story and only four of those allow you to choose which of the two heroes you want to play as. There are some weapons and classic armor to collect and some very easy achievements to acquire via replaying a few levels, but beyond that there is nothing to keep you playing this game.

Overall (not an average): 3.5: A rush job all the way around, Iron Man 2 is horribly disappointing and maintains the status quo of good movies often make bad video games. Only the most hardcore of fans should even rent this. No one should buy.

Iron Man 2 is available now for PS3, Xbox 360, Nintendo Wii, Nintendo DS, and PSP.

-Ray Carsillo

One of these new ideas has been brought to light now as Chernin met with Microsoft executives a couple of weeks ago. The idea? An exclusive Xbox Live TV network.

Bloomberg News reported last week that in his meeting at Microsoft headquarters up in Washington, Chernin had suggested creating an entire TV network centered on the core of Xbox gamers. This 18-34 male demographic focused network would be distributed through Xbox Live. Chernin also discussed that it would likely cost users an extra $1-$2 per month ($12-$24 per year) to keep the station up and running and that he would co-own the rights with Microsoft.

With music, movies, and TV shows already being downloaded en masse by gamers online, an entire channel could be the next likely step in media evolution as we become more and more dependent on our game systems for various forms of content besides games. The big questions that immediately come to mind though are: what actual programming could we see on the channel and would Xbox Live users be willing to pay another $20 a year on top of the $60 they are already dropping on the online service?

In terms of content production, I have faith that Chernin already has several ideas for shows and programming, especially since his sons are writers for such shows as “It’s Always Sunny in Philadelphia”. Not to mention that it would not be hard to get distribution rights for shows like “Pure Pwnage” and that Microsoft already has their own shows like “The Guild” and “Red vs. Blue”. If anything, this would spark an even greater independent creative drive for the system.

The biggest problems would come from the price raise. Personally, raising my Xbox Live bill by 25% would not be something I would be thrilled about, but in the end would be something I end up paying for because the service is just too crucial to me enjoying the system. I know many gamers who would not bend so easily though. A possible solution could be having third party developers help to fit the bill, especially those that rely on online content as much as we rely on playing it. This could have other ramifications though like seeing the rise of software prices so this also seems unlikely.

With Microsoft and Chernin refusing to comment on the meeting at the moment, only time will tell if XBOX-TV will become a reality. Microsoft has always tried to be at the forefront of new and exciting media, but if isn’t cost effective for the consumer, this may be one idea that is never realized.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

The trailer, titled “Ashes to Ashes” (and yes, I remember this being a chapter in Gears 2 as well), shows several new gears, soon accompanied by Cole and Marcus, running through humans turned to ashes (side effects of a previous weapon, a new weapon, or a telltale sign of things to come?) before being surrounded by lambent and locust forces alike.

All I can say is…YES!!!!! As a diehard Gears fan, this is a moment that many of us have been patiently anticipating for quite some time. And the trailer tells us much more than meets the eye. Firstly, the lambent are back and are quite the force to be reckoned with as some new tentacle creatures look to be wreaking havoc on locust and human alike. Secondly, something many female gamers have been clamoring for, female gears look to be a part of this, assumedly final, installment of the Gears series (hey, if Halo can do prequels, why not Gears?).

There is a lot more to speculate though about this chapter in the Gears canon. Will it be NATAL compatible? Can we play with other characters besides Marcus? What can we expect in terms of the multiplayer? How will Marcus’s father play into things? It may be a year to wait, but in the end, I’m sure it’ll be worth it. By the way, my birthday happens to be April 8th, so if anyone wonders what I’ll be wanting next year, take a guess.

If you haven’t seen the trailer yet, then head to gearsofwar.xbox.com and check it out, or you can check out Cliff’s appearance with Jimmy over at latenightwithjimmyfallon.com and see the entire segment (look for Monday, April 12th’s episode, which will be available until April 28th).

–Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Those are the first words you see, emblazoned in a bold gold color, when you look at the back cover of one of the most anticipated video games of all time. God of War III is the epic conclusion to Sony’s exclusive Greek tragedy worthy of Homer himself. And epic is the perfect way to describe this game.

SPOILER ALERT: I just want to mention that if you have not played the first two God of War games, this review will come from the perspective of someone who has. If you haven’t played the first two, go pick up the God of War Collection for PS3, catch up, and come back later because there are spoilers of the first two games ahead.

God of War III takes place immediately after the conclusion of God of War II, with Kratos on the back of the Titan Gaia as they continue their climb to the summit of Mount Olympus for the final confrontation with Zeus. It wouldn’t be much of a game though if there weren’t some strife and anguish for our anger management challenged protagonist. Zeus will pull out all the stops to ensure that the Titans remain where he put them, below his almighty heel, and will send Kratos there with them if he is not careful. Some of the most famous gods from Greek Mythology will join Zeus’ cause in trying to stop Kratos and the ensuing battles may cause more chaos and mayhem than humanity can stand.

I can’t talk about the plot much more without giving away any more spoilers, but the adventure is something worthy of a Greek epic and God of War III fleshes out exactly where Kratos falls in the grand scheme of things amongst the great Greek heroes. Just like the previous games in the series, God of War III expertly weaves its story through infamous locations from the Greek pantheon that interconnect throughout various points in the game, all the while making reference to the history established in the previous two games. Of course, not knowing about Greek mythology doesn’t hurt your gaming experience, but it sure does it make it that much sweeter.

So, the plot is spectacular as expected, but a big question coming into this game was how could they improve upon the gameplay in the God of War series after the leaps and bounds made from the first installment to the second? Well, just think of the gap between PS2 and PS3 and then increase it tenfold. The new “soft-body collision” system that allows Kratos to walk and climb along the Titans and other moving platforms adds an entirely new element to the gameplay. It can give traps and level hazards the ability to come from completely new directions as well as changing the entire scope of the level with one swing of a colossal arm or rotation of a platform. One second you’re on your feet, the next you’re hanging upside down. Include even more boss battles and button prompt sequences, mountable creatures to use against your foes, and brand new weapons and the gameplay has been taken to another level all over again.

Along with the amazing new “soft-body collision” system, the game is almost completely glitchless. The only glitch I saw was after upgrading my weapons in the pause screen, like in the previous God of War games, when coming back to the main game, the game froze. And not just lagged, I mean completely froze. I waited for five or six minutes before finally having to restart my PS3 and it happened several times. Maybe that “soft-body collision” system stressed the PS3 more than expected.

Aside from that glitch, the game is flawless. The graphics are absolutely stunning and take full advantage of the PS3’s capabilities by flooding the game with as much detailed blood and guts as possible. The carnage you can wreak on your enemies, from using weaker drones as battering rams against other foes and disemboweling some of the larger enemies, to ripping out a Cyclops’ eye like in God of War II, is all awesomely gruesome and detailed in ways you never imagined.

And the peripherals are phenomenal all around when you hear the tremendous audio. The original orchestrations that convey Kratos’ inner turmoil and the tension between Kratos and his godly foes are unbelievable at how well they set the mood. The SFX are spectacular from the clang of Kratos’ blades against concrete to a duller sound as they tear through rotted flesh. The greatest part of the sound though was the voiceovers. A star-studded cast came in to lend their voices to help flesh out some of the most famous faces in Greek Mythology. I won’t spoil who they play, but Rip Torn, Malcolm McDowell, and Kevin Sorbo (you can probably guess who he plays) all lend their voices to the returning cast of the first two God of War games including TC Carson as our infamous Ghost of Sparta, Kratos.

For the most part, everything about the game is top of the line, but it does lack in one area. Once you beat the story mode, I feel that there just isn’t a lot to bring you back for more. The story is so engrossing and takes so much out of you, that I don’t see a lot of people going for a second playthrough once you unlock “very hard” mode unless you are a trophy hog. The challenges might bring you back for a couple more hours, but they lack the depth to keep God of War III in your system once you complete this great gaming epic and so replay value is the only real sore point I see in God of War III.

Even without a lot to bring you back, if you are a fan of amazing storytelling, solid gameplay, and gorgeous peripherals, then you would have to be insane to not pickup God of War III. I would recommend, however, that you play the first two God of War games before popping in this installment.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 10.0: Blood, guts, and seamless textures makes this possibly the best-looking game I’ve ever seen. You literally need to see it to believe it.

Audio: 10.0: A tremendous, completely original, mood-setting score combined with spot-on SFX would automatically give this great marks, but when you take into account the amazing voiceovers (something that is all too often taken for granted nowadays) from an all-star cast and this game is a treat for your ears.

Plot/Plot Development: 10.0: A perfect conclusion to the trilogy, God of War III is a quintessential Greek tragedy and would make Homer jealous that he hadn’t thought of it himself.

Gameplay: 8.5: The “soft-body collision” system is revolutionary in how seamlessly in changes your perspective in the middle of fighting hordes of enemies without an ounce of lag. Unfortunately, this might put a constant strain on the system because several times when I tried to return to action after upgrading my powers, the game would completely freeze and it happened far too often. This major glitch is the only thing that keeps this from getting a perfect score.

Replay Value: 6.5: Only a barely passing score for the replay value because God of War III offers you a couple of incentives to bring you back, but not enough to make it a necessity. Several challenges out of the main game and an unlockable “Very hard” mode are nice, but not really enough to make my mouth water at the thought of playing this game again.

Overall (not an average): 9.5: Amazing peripherals, compelling characters in this tremendous finale to one of the most epic trilogies in gaming history, and revolutionary gameplay makes the wait for God of War III well worth it. If you thought the jump in quality between God of War I and God of War II was unbelievable, you’re head just might explode with the jump between God of War II and God of War III.

God of War III will be available for PS3 on March 16th, 2010.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

In today’s fickle and over-stimulated world, it is hard sometimes to remember that literature was the preferred emotion evoking pastime for hundreds of years and that the Blu-ray movies we watch and video games we play all have to begin with a story, whether an original one like the one I am about to discuss or something inspired by a classical work. It is for these reasons I rarely review just a novel, so you know that this must be a book of the highest entertainment value. At least that’s how it was pitched to me.

Joe Hill, a relative newcomer to the suspense scene (you may know his dad, a guy by the name of Stephen King), is about to release his second novel called Horns on February 16, 2010, and was kind enough to send me an advanced copy to see if it could hold my video-game-addicted attention span.

Horns revolves around a young man from New Hampshire named Ignatius Perrish. Our sad and sorry protagonist has had a horrible streak of luck over the past year or so as he’s seen himself all but exiled from his community as he was accused of the murder of his lovely girlfriend, Merrin. Although cleared on all counts of the heinous act, Ignatius (Ig for short) has seen his life spiral out of control as the depression that consumes him over the loss of his one true love has left him a shell of his former self. That is until he wakes up one morning after drinking all night to find that he has two, small, black protuberances coming from his temples. After some haunting trial and error, Ig finds that he now has the ability to make people tell him their deepest, darkest secrets, have their entire lives of sin revealed to him with the slightest touch, and can bend their wills to his sinful suggestions.

Once Ig embraces his newfound abilities, he pledges to find out what really happened to Merrin on the night she was murdered and so begins a conquest for revenge that will put Ig through an emotional roller coaster the likes of which would break most men. Then again, you can’t really call Ig just a man now can you? When it comes to revenge, the devil is in the details…

I have to admit, like Ig is possessed by some awesome power in Horns, I was possessed to not put this book down. The book is about 360 pages, broken down into 50 short chapters, and by the time I was through the first five or six chapters, I couldn’t stop reading. I needed to find out more about what Ig would do with his powers and how they would evolve. The way Joe Hill describes the experiences Ig has when he reads people’s histories through touch is incredible, as if he was painting a vivid picture that cuts right to the core of human nature.

Also, the description of his main characters made me feel as if these were people from my own community, people who I could’ve grown up with. I felt like a silent witness within the tight-knit circle of characters with which all the action takes place in. I felt my heart strings tugged on with Ig’s unwavering devotion towards Merrin, even in her death, and felt an unquenchable rage boiling within my own gut at the betrayal and conspiracy against Ig that he must overcome.

There were a couple of drawbacks to this experience though. Joe Hill took 40% of the book just giving the back story on the characters to develop that connection between me, the reader, and his characters, mixing up action in present time with drawn out flashbacks over every 10 chapters. I felt that Hill could have condensed many of these flashback chapters and still gotten his point across and it would have given me a more pleasurable read.

These fodder chapters reminded me a little bit of his dad’s writing in how Hill became a little too detail oriented. Instead of letting the natural narratives of the story continue, the obsession on the details would shock you back out of the world Hill was trying to create and hurt the overall experience by creating lulls in the otherwise frantic action.

Of course, this could just be a suspense building tactic since Hill’s first 10 chapters are so brilliant that he more than likely will have you hooked for the rest of the ride (like myself) when you hit the first flashback in Chapter 11. Along with this, the ending seemed a little too anti-climatic. I won’t go into it any further because I refuse to give away any of the devilish details, but considering how much back story I was given, when I was finished with Horns, I felt like I needed something more.

However, I was happy to have read Horns and look forward to Hill’s next work. There were some very memorable passages in this original story that drew emotion from me and they easily overshadowed the lulls that popped up during the flashbacks. I would recommend Horns to anyone looking to read a very detail driven suspense story or maybe to kill some time on a cross-country trip. Horns hits bookstores February 16, 2010.

Horns by Joe Hill gets a 3.5 out of 5.

-Ray Carsillo

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

My sitdown with Sara “Babs” Lima continues now with this, the third part of our three part interview. In this part of the interview, we talked about how important it was becoming for comics, movies, and video games to all inter-promote each other and how this triple brand attack was working for different franchises.

We also discussed her thoughts the most recent movie trailers on comic-based movie .

We finished up with her input on an age old debate that we like to have here at ESPN behind the scenes and that is Luke Skywalker vs. Wolverine: Who would win?

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

My sitdown with Sara “Babs” Lima continues now with this, the second part of our three part interview. In this part of the interview, we discussed out mutual love of the Dark Knight and exchanged thoughts on DC killing off Bruce Wayne and their announcement of his return in April 2010.

We also discussed theories on who will appear in Batman: Arkham Asylum 2 and what we thought of the first of this new video game franchise written by Paul Dini and starring many of the voices from Batman: The Animated Series.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Okay so it wasn’t that epic, but it was a rare opportunity for me to talk to a hot chick who wouldn’t run away (hopefully). This hot chick just so happens to be an editor for the second largest online comic book community and archive.

Sara Lima, geeks everywhere may know her better as “Babs”, is an editor for Comicvine.com, a branch of Whiskey Media. Comicvine.com is set up as a community where geeks of all shapes, sizes, and orientations can come to share ideas and thoughts on one of our favorite mediums, comic books, via another one of our favorite mediums, the internet!

Sara, originally from the tri-state area by way of Brazil, was visiting family for the holidays when I lured her to one of our studios to chat about comics.

This video is the first part of our near half hour sitdown as we discussed everything from comic book movie adaptations to the state of the comic industry itself. In this first part though, I just wanted to get to know a little more about our favorite first lady of Comicvine.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

From Top Gun, Total Recall, Starship Troopers, Free Willy, and many more, Michael Ironside always seems to find an audience no matter what role he accepts. Now, he plays Chief Bannen, a police chief with a mobster brother and con artist son, in the new web series The Bannen Way over at Crackle.com from Sony Pictures. Seemingly being on top of the New Media game, I also spoke to him about his decision to reprise his role as Sam Fisher in the popular Splinter Cell video game series, with the 5th installment ready to land in stores in late April 2010, and also got him to divulge about his childhood love of Superman and how it helped lead him to voiceover work as one of the Man of Steel’s most nefarious enemies, Darkseid.

To listen to my interview with Michael Ironside,
CLICK HERE or read the transciption below!

Ray Carsillo: Hey there everybody, this is Ray Carsillo and I have the distinct pleasure now of talking with a man who has hundreds of screen credits over the course of his career. I mean, literally, the list is the length of my arm folks, but for all of us comic book and maybe video game geeks out there we may know him better for his countless voiceover credits including Darkseid from the Superman cartoon and of course a little guy you might not have heard of. I don’t know. Sam Fisher from Splinter Cell? Is that pretty popular? Yeah, I think so. I have the pleasure now of talking with Michael Ironsides! Michael how you doing today?

Michael Ironside: I’m doing real well. It’s a little cold and wet in Los Angeles at the moment.

RC: Well, it’s not much better here in New York. A little bit of weather parallel I guess. But right now, you’re working on a web series called The Bannen Way, it’s on Crackle.com, it’s from Sony Pictures, and the first question I have to ask you about is why do a web series? Somebody with your great list of credits, why would you decide on doing a web series like this?

MI: I don’t think the end product really kind of figures into it for it. It’s the writing and when I was introduced to this property, I just found the writing to be exceptional. It’s very witty, very cleverly written, and very solid definable characters. Jesse Warren, the writer/director and Mark Gantt, a friend of theirs sent it to me, I looked at it and went “wow” and it’s kind of rare. For every hundred scripts I get, there’s probably one that hits me like this. I met with them and they were as pleasant and as talented as their script and we did it. As far as it being a webisode, how you cook the pie, it’s still a pie. How you cut it up and deliver it is a different deal. It doesn’t really affect the way something is shot or how something is handled on set.

RC: Very cool. You’re starting to see a lot of web series really start to gain some traction online and in the media, and obviously at the forefront of the New Media surge. Do you think that’s the future? Do you think that television and radio and these other, more traditional, mediums will see this cut into their viewership, especially when producing such high quality content like The Bannen Way?

MI: I’ve been around long enough to watch this happen. I’ve been around to watch television and movies sort of fight it out and find a balance between themselves and I think it’s the nature of our times and money and you can’t just make a pilot or shoot something and if it doesn’t work throw it away. It has to have more than one life to it. For example, this project, The Bannen Way, as far as I know, it starts as a webisode, then it’ll go to a DVD or MOW, movie of the week, sort of format, and then it is also being used as a pilot as a network series. For a project to be, I think, financially responsible and fiscally responsible, it has to have more than one revenue scheme and I hope these guys do well with it.

RC: You mentioned Mark Gantt, and of course, he is not only one of the writers, but also the star playing Neal Bannan.

MI: Yeah, he plays my son.

RC: I was going to say, talk a little bit about your character. Your son’s a con artist and you’re the chief of police. How does that dynamic work and talk about the character some.

MI: Well, Mark is a mercurial guy as it is, very clever, a very likable guy. His character is a kind of flash about town con man who likes women and cars and gambling. I play his father who is kind of a stone-age chief of police and my brother, who is played by Robert Forrester, is the local mafia kingpin or crime boss. We’re the yin and yang of Mark’s life and the story is basically revolving around him owing his uncle $150,000 on a gambling debt and how he is trying to contort and run around town to get that money. And at the same time, I’m trying to get him to turn over evidence on his uncle, my brother, so I can put him away. It’s a very clever story, very enjoyable.

RC: You always seem to play these, like you said a stone-age police chief, a general, or a high position of authority. Do you sometimes get typecast into that and how hard is it to sometimes branch out away from that?

MI: Well, I don’t think it’s difficult if you’re willing to do different things at different economic levels. I mean, most people know the mainstream stuff I’ve done from like Top Gun, Total Recall, Starship Troopers, Free Willy, T4, those sort of things, but for every large film I get to do about four or five small ones that are really my choice. Like last year, I did something called The Jazzman, where I’m playing a saxophone player who is dying of cancer. It was loosely based on Mo Kaufman’s life. I get to take that opportunity based upon the fact that I can affect distribution from doing larger pictures. I’ve been around a long time. I’m never going to be the lead actor guy. I’m real quiet and real happy and real fortunate to keep working. It’s what I do. It’s like the circus. I ran away and joined it a long time ago.

RC: As long as you’re happy, that’s all that matters, right?

MI: Heh, and paying the bills. That’s what matters.

RC: I mentioned Darkseid before from the Superman cartoons and Justice League cartoons and you were also in a couple of episodes of Smallville. Are you a closet comic book geek or really big Superman fan?

MI: No. Well, growing up yeah I did. I was enamored with Superman because I thought, being Canadian and from Toronto, that the original series was based around Toronto. I remember as a kid being told that. That the Daily Planet was the Star Newspaper and the whole idea was based around that kind of small cosmopolitan city so that caught my attention. I don’t know. I just like trying things. The voice work with cartoons and stuff has worked, but I’m not interested in doing that stuff at all for commercials and stuff, but it is kind of fun to get in a room with a bunch of other actors and have the freedom of not being watched so you can sort of take risks with a character like Darkseid or the Sam Fisher character in those Splinter Cell things. It’s fun to work. It really is. It’s not all just hit your mark, take your money, and go home. It’s fun. It’s creative. It’s challenging. You get to meet great people.

RC: That’s great. Not a lot of people out there get to really love what they do and you really seem to enjoy it. That’s a great thing in life.

MI: My dad referred to it that I ran away at a very early age and joined the circus and I think it is quite apt. It’s a great way to live. You get to move from family unit to family unit, from set to set, from project to project where you’re thrust into a very intimate, very honest relationship with people and you have to either tell the truth and step up or it can be a really horrific situation if you try and manipulate it every time and over 40 years I’ve met a lot of great people.

RC: Is it hard then, you describe it as a family unit, when the project wraps up and you have to kind of move onto the next project? Is it a sad moment there?

MI: Yeah, absolutely, but I would like refer to it as postpartum. I’ve gotten to the point over the years that I actually get it before the film is over and I start getting a little bit of melancholy over the last few days of a project when I look at people. But, you get to see those people again, just not in that family unit or configuration, but man it is a great way to live.

RC: We mentioned Sam Fisher earlier and it is one of the most successful and beloved shooters of all time and you really breath a unique life into that character. Did you ever get into games? Are you a gamer? Do you have an Xbox 360 or PS3? Ever pick up the controller after the game is finished?

MI: Yeah my daughters are into that and the gaming, but I’m not a gamer. I don’t physically translate to that way of doing things. I’d rather get out there and do it myself. I don’t mean kill somebody though, haha.

RC: Yeah strap on the night vision goggles and go crawl in the shadows, haha.

MI: No, it’s like people go online golf, not to take a shot at the game, I just would rather be out there doing it. But no, Splinter Cell was interesting because I actually passed after the fourth game. I didn’t think we could take it any farther and wasn’t really interested in doing such and they came back at me with a fresh look at the character and a new way of doing things and the new artwork and we just finished the fifth one. It’ll be out I believe in about two months.

RC: Yes, actually Ubisoft just announced that it got pushed from a late February release to a late April release.

MI: And ya know, I think that is to their credit. They were actually going to, there were parts of the company anyway, that were going to try to force the game out for Christmas and they opted for the quality rather than quantity and I think that speaks for Ubisoft to give up a huge payday or a rushed payday on an old title like that and force it through on Christmas. And I’m not kissing their a** here. It’s just rare that you find something in a corporate level that makes organically sound decisions and they did that. And they pushed it again to make sure they get it right. Yeah I was supposed to go out and do the release and stuff like that, but I just got the call the other day saying they’re going to push it back another month and a half, which is cool. Get it right!

RC: Definitely, as a gamer, we would rather you take the extra month and a half and get it right, especially for such a beloved series.

MI: Yeah and there is a lot of money involved here. People put a lot of money on these games. I remember I was on a plane somewhere and somebody stepped up and said “Sam Fisher?!” I had ordered some bloody drink or something and I then started talking to them and they were talking about how it keeps them as a family unit these online games, where they sit and play with family members from different places in the world and stuff like that or have conversations with different people in different places around the world and I never thought that a game, an internet game, would be the kind of meeting place where people could exchange ideas and real truths about each other and stuff like that. It’s kind of a strange world when you can trust a game format or platform more than the network news.

RC: Yeah, it’s insane how far games have come in the past couple of decades. Would you say Sam Fisher is the character you’re most recognized for or most approached about?

MI: Not really. I think it goes generationally. I’ve been around a long time. If someone walks up and says “Jester’s dead” then I know it’s from Top Gun, and they’re probably in their 30s-40s. If they walk up and say something like “I hate that whale!” then they’re probably in their late 20s, that of course from Free Willy. Or “See you at the party, Richter!” or something like that. It depends on where these people are coming from. It seems like every six or seven years I hit on a big box office film and people get to regurgitate specific lines from the film. As for Sam Fisher, I’m totally anonymous until I open my bloody mouth and people recognize the voice.

RC: Do you ever get to chill with Tom Clancy? Do you ever get to say “Hey Tom, maybe Sam would do this in this situation?” Since the character is really you, do you ever get to influence what he does a little bit or go to Tom Clancy?

MI: No, but what I did do was that I turned it down at the beginning. I wasn’t interested in doing it because structurally the way the character was built was that I thought “I don’t want to do this.” And they asked what was wrong and I said “Well, he is too monochromatic. There isn’t enough humanity in the character. There is no conflict underneath his decisions.” It was interesting, when we first went in to do the first game, I actually did it up in Montreal at the Ubisoft labs and I had them bring in other actors since these things are usually done singular evidently where you bring in one actor at a time and it was my first big game. So I had them hire some actors so I would have somebody to work with as we worked the character up in the dialogue. And it really worked. It is the nature of communication that if you want to play tennis or play a game with somebody, you need to talk and have a conversation.

RC: Of course, of course. You’ve had such a long career as you had mentioned and you’ve been around for so long that you did a series in the 80s called “V” and of course they have kind of come back with that, a new iteration of it that is based on the series you were in. Do you ever think that you might ever want to get back into the series, maybe as a guest cameo to link the two?

MI: There was that talk, but I really wasn’t interested. The original character of Ham Tyler that we built in the mid-80s for that original format and that original show, to revisit that and revisit that character would do that whole show a disservice. It is really a different animal now. They have computer generated graphics now while we were using puppets and everything in those days. We were sort of making it up as we go, to the best of our abilities. And no I think Ham Tyler that they sent him to Chicago in that original series, where I wanted him to go. I got out of the show so I could go do Top Gun and the Richard Pryor film. No, I don’t think I’d want to go back and do it. It’s like going back and driving an old car. It had its place in time. I had a ‘55 Chevy that I had for a lot of years and it was a cool car, but if I had to use it every day, no, it had its time and place.

RC: I hear you. That’s a great analogy. Aside from The Bannen Way, which is of course at Crackle.com right now from Sony Pictures, and Splinter Cell: Conviction, which is coming out in April from Ubisoft, what else can we see from you in the future?

MI: That film I did last year, the film called The Jazzman, based on Mo Kaufman’s life, the horn player who died of cancer and was written by his grandson. I think it is coming out, or is out now, or will be out soon. I don’t really follow the things. And a thing I did in Romania called Eva, which is a historical piece.

RC: Alright, very cool. Thank you very much Michael. Of course, the web series is The Bannen Way which is available now at Crackle.com from Sony Pictures, the video game is Splinter Cell: Conviction which will be out for Xbox 360 and the PC later in April, and of course the man is Michael Ironside! Michael thanks for the time.

-Ray Carsillo

Often when something works, and works well, it will have imitators and copycats come out of the woodwork and try to capitalize on the splash made by the original. This is especially true in the media world and in video games. The hottest trend right now is an oldie but goodie: the portrayal of the possibility of a coming apocalypse, an Armageddon. There are different spins put on it from heaven vs. hell, man vs. the supernatural, or some seemingly omnipotent being needing to be stopped from wreaking havoc, but in the end it all comes down to the same basic concept. In the first quarter of 2010, we have three such games coming out with this basic theme: God of War 3, Dante’s Inferno and Darksiders with the original God of War series being the base concept.

Just because all these games may be similar in theme and execution, does not mean that they all can’t be good. In fact, sometimes the imitators will surpass the original and blow the concept out of the water. The first of these three games released, Darksiders, might do just that.

Darksiders begins with hell on Earth erupting as the balance between heaven, hell, and Earth has been disrupted and Armageddon has been triggered early. You play as War, one of the four mythical horsemen who mark the coming of the end of days, and immediately know something is awry as your fellow horsemen have not appeared. As you move through city streets, trying to find the source of the disruption as angels and demons alike fight overhead, you come upon Straga, one of the most powerful demons to emerge from hell and watch as one of the leaders of the angels, Abaddon, is swallowed up like an appetizer for the things to come. You fight the demon, but like Abaddon, fall to the unparalleled might of this hellish monstrosity.

A century then passes as hell has consumed the Earth and the human race has been wiped out. You have been imprisoned for all this time in the depths of hell by The Council, an ancient race of beings whose sole purpose is to maintain the balance that you have been blamed for disrupting. Finally, the Council relents to your pleas to send you back to clear your name. They concede, but they pair you with a high level demon called a Watcher (played brilliantly by Mark Hamill), to make sure you will do the Council’s bidding, and find out how, and more importantly, who caused the end of days before it was destined to.

Thus begins the story of Darksiders, a tale of redemption as you unravel a conspiracy that could invoke the wrath of a god.

Even with the overplayed theme, Darksiders is brilliantly executed. A combination of The Legend of Zelda and God of War series, the game is packed with both original characters, like Vulgrim the Soul Merchant, with whom you exchange the souls of your fallen foes for new weapons and fighting techniques, and those based in scripture like Azrael, the Angel of Death. Add in tons of actions sequences involving some epic boss battles and an ending that will leave you anticipating the impending sequel is more than enough for me to label this as the first must have game of 2010 (not that there is a lot competition right now).

The graphics are beautiful, from deserts where the sand is comprised of the ashes of six billion dead humans, to lush jungles that have reclaimed the cities that once dominated the landscape. Every creature has exquisite detail to them, from the scars on War’s face to the talons of the giant bats that litter the twisted remains of the world.

Along with great looks, the game sounds very good. The music, although rather generic, helps set the atmosphere beautifully and the voice acting is top notch, highlighted by Mark Hamill who seemed to channel shades of the Joker from Batman: The Animated Series into the masochistic Watcher and Moon Bloodgood as Uriel, the angel who takes over heaven’s ranks after the fall of Abaddon.

I also liked the fact how, aside from the opening and closing movies, the game really focuses more on the action, the fighting, and the platforming and avoids unnecessarily long cut scenes to forward the plot. Possibly this was a move to avoid too many comparisons to the style of games this is clearly based off of since the gameplay easily can draw a lot of parallels to more well-established franchises.

The gore and fighting mechanics are very similar to that of God of War with only a handful of buttons really being needed to mash your way across your typical desert, water, jungle, and fire areas. This goes along nicely with the “me against the world” theme from that franchise.

More parallels can be seen in the items you acquire over the course of the game since almost all of them have appeared in The Legend of Zelda at some point or another. The abyssal chain is exactly like the hookshot, your horse Ruin is reminiscent of Epona, the Crossblade is just like the boomerang, etc. So, the gameplay isn’t anything you haven’t seen before and lacks any real originality. Along with this, there are a few glitches as the game progresses and can be very frustrating when you fall into a bottomless pit when the game glitches mid-jump.

Still though, there is a reason why people love The Legend of Zelda and it was nice to see a game with hard puzzles and tremendous temples. The outside world wasn’t as epic as I would have liked, considering the entire Earth was supposed to be wiped out. It doesn’t seem like you’re traveling more than through the five NYC boroughs.

The game should take you 15-20 hours to completely beat, but there isn’t much to bring you back for a second playthrough. If there were any collectibles or achievements you missed the first time through they could bring you back for a little while, but otherwise this is a one and done.

Even with the aforementioned lack of originality, this game is a lot of fun and does a great job drawing you into the post-apocalyptic world. I enjoyed the game so much that I stood up and clapped at the end of the final cinematic and with the amount of games I have to play; it takes a lot to elicit that kind of a response from me anymore. Kudos to Vigil Games and THQ. Simply put, this is a great game. Darksiders is available now for Xbox 360 and PS3 and is the first must have game of the New Year.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 9.0: From the detail of the world you fight through to the skulls carved on your Chaoseater sword, the graphics are top notch. A point gets deducted only for the generic looking blood effects. There could have been a little more splatter that lasted longer on screen for my tastes.

Audio: 9.0: The voice acting for this game spearheads this score as Mark Hamill and Moon Bloodgood highlight a cast of awesome performances. Include spot-on SFX and the only point that gets docked from this is for the generic, forgettable background music that at least was able to set a nice mood as you progressed through the game.

Plot/Plot Development: 7.5: The general plot has been done before so it loses points for lack of originality, but at least the game progressed at a good pace and set things up well as the conspiracy against War unfolds and then comes together at the end in a great final cinema scene.

Gameplay: 7.0: Glitches and lack of originality again hurts this score, but when you are basing your game off of sure-fire hits like God of War and The Legend of Zelda, you can forgive them a little.

Replay Value: 3.0: There isn’t a lot to bring you back to this game after the initial playthrough besides looking for more power-ups or any achievements you may have missed along the way.

Overall (not an average): 9.5: Even though I penalized the individual category scores for lack of originality, I can’t do it for the overall game because, the time-tested, proven formula that Darksiders uses works and is a lot of fun to play. Any game that gets me to stand up and applaud while the credits roll is a winner in my book and I cannot deny the fun I had playing this game. I looked forward to coming home and playing this game every day after work. So what if it wasn’t the most original game? Imitation is the most sincere form of flattery after all.

-Ray Carsillo

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

1. Bioshock 2: I said it last year and I’ll say it again this year: I will go screaming through the halls here at ESPN the day this comes out from sheer, overwhelming joy. With a lot more revealed in terms of the plot and gameplay, this easily tops my list as my most anticipated game as you return to Rapture and assume the role of a Big Daddy 10 years after the events of the first Bioshock. Along with this new twist from the first Bioshock, there is also a confirmed multiplayer mode and the ability to use your Big Daddy suit to explore the ocean immediately surrounding Rapture, which should allow for all kinds of new and creative ways to explore the once great cultural haven beneath the waves. Barring any last minute setbacks, expect Bioshock 2 to hit store shelves February 9, 2010, for Xbox 360, PS3, and PC.

2. God of War 3: There are few trilogies in video games that are more celebrated than God of War and this is before the third one has even hit store shelves. Inspired by many classic stories from Greek mythology, you play as Kratos once more as you attempt to work out your anger issues with the gods for the last time. I had a chance to play an advanced demo of this (which I will post a special PS3 Q1 Preview video next week where I got to talk with some of the developers of God of War 3) and you will flip just like Kratos’ point of view seamlessly does in several epic boss battles as you should expect to start wrapping up this classic trilogy on your PS3 towards the end of March 2010.

3. Dante’s Inferno: Many are calling this a God of War rip-off, but I’m a firm believer that imitation is the sincerest form of flattery and this might be even better because it isn’t limited to just the PS3. Inspired by the part of Dante Alighieri’s Divine Comedy of the same name, if Kratos has anger management issues, Dante is the ultimate obsessive, smothering boyfriend as he is willing to fight through the nine layers of hell to save his girlfriend’s soul while having a tapestry depicting the holy cross stitched to his chest. Just like God of War, Dante’s Inferno mixes classic plot with tremendous, bloody action (and a little bit of nudity) and amazing, original monsters based on this classic work of literature to get any action/adventure fan’s blood pumping. Just like Bioshock 2, Dante’s Inferno hits store shelves on February 9, 2010, for Xbox 360, PS3, and PSP.

4. No More Heroes 2: Desperate Struggle: Travis Touchdown returns with his beam katana (it’s a lightsaber, but that whole copyright thing can be such a pain sometimes) as he has gotten lazy and let his number one world assassin ranking drop all the way down to 51 (possibly in honor of game creator Suda 51?). When things get personal though, Travis once again hones his wrestling inspired moves and attempts to move back up the ladder to the number one spot with even more crazy, over the top boss battles that are even better than those from the first game. The sandbox system is gone to help save on time while you hunt down your quarry and travel from location to location by just going to a map menu now and since that was one of the major complaints from the first game, it looks like No More Heroes 2 could be another sleeper hit from the deranged mind of Suda 51 and his Grasshopper Studios. No More Heroes 2: Desperate Struggle is a Wii exclusive and should hit store shelves January 28, 2010.

5. Dead Rising 2: The first Dead Rising broke new ground in zombie bashing by having an unheard of (for the time) amount of NPCs on screen at one time with no lag. And it was set in a mall allowing you to have a variety of weapons from food court table umbrellas to golf clubs to nerf guns. Dead Rising 2 takes several of the great elements from the first game (regular guy dropped into a zombie invasion) and puts a whole new twist on it that has me chomping at the bit as I count the days until this hits store shelves. Dead Rising 2 assumes you failed to completely contain the zombie virus at Willamette from the first Dead Rising and now there are zombie outbreaks all over the country. These zombie zones have been cordoned off by the government, but with times being tough, leave it to reality TV to step in to offer the masses a chance to risk life and limb for amazing prizes. “Terror is Reality” is one of these reality TV shows that asks people to help control the zombie population in new and inventive ways for the chance at huge piles of cash. Of course, you’re being dropped into these living nightmares with nothing but the clothes on your back, but it wouldn’t be a zombie game if you were given a gatling gun from the get go. Add in what could be the best online multiplayer of the year as Dead Rising 2 pits you against three other players in an American Gladiators meets Resident Evil scenario and sends you all on your merry competitive ways. Zombie bashing will never be the same again on your Xbox 360, PS3, and PC come the end of Q1.

6. DC Universe Online: It is hyped as what could be the greatest MMORPG of all-time as it allows you to interact with the best of the best of the DC Comics Universe with your own original character and with a member of current comic book royalty in Jim Lee serving as the Executive Creative Director, you know you are in good hands. Unfortunately, it has been delayed countless times and is a game on life support to say the least. DCU Online was supposed to come out last summer, but now we are still waiting to rub elbows with the Dark Knight and Man of Steel and take down the likes of Lex Luthor, Mr. Freeze, the Joker, Bizarro, and many, many, many more as a loose Q3 2010 date has been set for this possible PS3 and PC powerhouse. If DCU Online doesn’t come out this year, I think the game will be completely scrapped because it has been in production for far too long for us to wait much longer for it.

7. Mafia 2: Another strong title on the horizon from the folks at 2K (why do they even bother with sports anymore when their shooters and action/adventure games are so awesome?) is Mafia 2. Set in a fictitious mob family in the late 1940s-early 1950s, Mafia 2 combines a GTA-style sandbox experience with a Hollywood-inspired cinematic driven plot as you play as Vito, a small-time hood trying his best to get his piece of the American dream in some less than savory ways. Add in some awesome action sequences and Martin Scorsese couldn’t have done a better job with this. Mafia 2 looks to be the strongest release due out in Q2 when it lands on store shelves May 3, 2010, for Xbox 360, PS3, and PC.

8. Castlevania: Lords of Shadow: Every major attempt to bring the fabled history of Castlevania into the 3D realm has fallen flat on its face and the only thing keeping the series alive has been a successful run with the classic side scrolling action on handheld systems. Things may change come the next holiday season. Castlevania: Lords of Shadow has you cast as the mysterious figure Gabriel as you fight through a massive world in the third person. Mix in some puzzles and some holy (or unholy) artifacts to help power up Gabriel and you have the base for a nice action/adventure game. There aren’t a lot of details out on this one yet in terms of how Gabriel fits in with the Belmont clan or if Dracula is even the main force of darkness here (although I’m sure he is because it wouldn’t be Castlevania if he wasn’t), but from what I’ve seen so far, this could be the best chance to FINALLY bring Castlevania successfully onto modern consoles especially with Hideo Kojima (of the Metal Gear Series) consulting on this project, Patrick Stewart serving as the narrator, and some God of War and Assassin’s Creed style gameplay mechanics shown in the early trailer. Expect Castlevania: Lords of Shadow to emerge from the darkness next holiday season for Xbox 360 and PS3.

9. Super Mario Galaxy 2: Everyone loves Mario, plain and simple. Another game expected to be released in time for the next holiday season, Super Mario Galaxy 2 will be the first direct sequel to another Mario game in a decade (since Super Mario World 2 back for the SNES). Add in that you are definitely going to be riding Yoshi around and I’m sure you’ll see the return of some other classic powers and this is another sure fire hit for Nintendo. Plus, don’t forget that you are sure to see a lot of classic Mario themes, enemies, and puzzles mixed in with the tremendous planetary exploration aspect introduced in the first Super Mario Galaxy and this will be another platforming gem from Nintendo. Super Mario Galaxy 2 should be out in time for next holiday season and is, of course, a Nintendo exclusive.

10. Metroid: Other M: Nintendo has the strongest first party franchises out there and another one confirmed for next holiday season is Metroid: Other M. A lot like seeing Hideo Kojima’s production studio helping out with Castlevania, Team Ninja, best known for the Ninja Gaiden games, has stepped up to help give a bit of an anime style and storytelling flair to this newest Samus Aran adventure. Mixing some classic side-scrolling action and some 3D arena battles as you progress through the game and interchange between the two seamlessly should keep you on your toes and keep you from getting bored. Add in that at least Ridley has been confirmed as one of the boss battles and it should be interesting to see what Team Ninja can do with this beloved Nintendo franchise. Metroid: Other M is another Wii exclusive and should be out in time for the next holiday season.

So there is my top 10 for the coming year and it is one heck of a list. On top of these games, there are also lots of other games that I just could not take the time to go into right now, plus I did not feel they were worthy of the top 10. MAG, Heavy Rain, Bayonetta, Darksiders, Prince of Persia: Forgotten Sands (adding a 4th chapter to one of the better trilogies for the last generation of consoles was not necessary and is thus a major reason that Prince of Persia stayed off the list), Mass Effect 2, Just Cause 2, Epic Mickey, Red Steel 2, Mega Man 10, Gran Turismo 5, Battlefield: Bad Company 2, and an unnamed Legend of Zelda title for the Wii (not enough info for me to be confident that this will make it in time for a 2010 release, but Nintendo is the best at keeping secrets) all deserve honorable mentions and should be awesome games in 2010, but these are my top 10 and I stand by them. It is going to be another great year for games and I cannot wait. Until then, have a great New Year and my resolution is that I will be sure to try my best to keep you informed over the course of 2010 just as I did over the course of 2009.

-Ray Carsillo

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Now, if you’re looking for games for some little ones and don’t feel they’re ready for an over the top, alien shoot ‘em up, or some action-adventure, sword wielding bloodbath, then here are a few E-rated games that will keep them happy till their birthday rolls around.

1. New Super Mario Bros. Wii – Nintendo Wii – Any older gamer will appreciate the nostalgia this game conjures up. Any young gamer will fall in love with the crazy characters, classic side-scrolling platforming gameplay, and the hours of exploration and fun it will provide. Just like every other great Mario Bros. game to ever come out. This Wii game has been flying off of store shelves this holiday season with good reason.

2. The Legend of Zelda: Spirit Tracks – Nintendo DS -Another one of Nintendo’s powerhouse franchises with a new chapter in its long and storied history. What’s nice about this is that the kids can take this with them on the long car or plane ride you’re already dreading. At least it’ll keep the kids out of your hair as you prepare for departure delays or traffic due to the predicted bad weather. Not the longest or most in-depth in the Zelda series, it will more than do the job of distracting the little ones this holiday season.

3. A Boy and His Blob – Nintendo Wii – Rounding out the Nintendo dominance of kid-oriented games is a remake of a NES classic. A Boy and His Blob follows a young lad and his alien, shape-shifitng friend, who can help the boy in a plethora of ways by eating magical jellybeans. These jellybeans allow the blob to turn into a gun, a ladder, a trampoline, and many other useful items as you travel across these beautifully drawn 2.5 D worlds.

“But, Ray! My kid is in high school and I don’t think these childish games will work for him/her.” Never fear! There is plenty of T-rated games just waiting to be picked up.

1. Ghostbusters: The Video Game – All systems - The closest thing die-hards have seen to a third movie, this game picks up about three years after the end of the second movie and brings the story together better than any movie could have. With all the original voice cast returning to reprise their iconic 80s roles, ‘bustin’ has never felt so good.

2. Batman: Arkham Asylum – XBOX360, PS3 - One of the most critically acclaimed games of the year, Batman: Arkham Asylum is the initial offering of what looks to be a long series of new Batman games. With a free-flow combat system that flows like water and a plot worthy of a comic maxi-series, this game is a must have for any comic book fan.

3. Uncharted 2: Among Thieves – PS3 – The SpikeTV Video Game Awards game of the year delivers on every front like no other game this year. Plot depth, tremendous characters that pull on your heart strings, probably the best looking game of the year, and flawless gameplay makes this a must have for any gamer’s collection if you have a PS3.

Now you’re wondering, “What about the games for Mommy and Daddy?” Well, there are plenty of M-rated games out there for long after the kiddies go to bed.

1. Madworld – Wii - It’s rare to see a phenomenal M-rated game on the Wii, but Sega’s Madworld delievers in ways I never thought a Wii game could. An unfathomable amount of gore and language brightens up the black and white world of “Jack”, a man tasked with winning a “Running Man”-esque game of death in a world that just screams “Sin City”. Either interacting with the entire environment to find new and interesting ways to kill your enemies, or just relying on the chainsaw on your right hand, you will have fun wreaking havoc in Madworld.

2. Assassin’s Creed 2 – XBOX360, PS3 - My pick for game of the year, Assassin’s Creed 2 expounds on the plot of the first game and trumps the action by leaps and bounds. A new free-flow combat system, being able to wield two weapons at once, poison, guns, and an entire economic system make what was once a repetitive, tedious chore to beat in AC1, makes AC2 one of the most unique mainstream gaming experiences of the year.

3. Halo 3: ODST – XBOX360 - My choice for first-person shooter of the year, any Halo fan needs to have this game. Aside from the amped up difficulty due to you acting as a lower class of trooper than Master Chief’s Spartan self, the film noir aspect of taking over every member of your squad at different moments as you unravel the mystery of the Covenant’s attack is one of the most immersive plot techniques I’ve seen in gaming in years.

Those are the games that will make everyone you know, no matter their age, happy. On this last list, are the games that leave everyone cringing and they will be returned. Guaranteed. Avoid these games at all costs Grandma!

1. Fairytale Fights – XBOX 360, PS3, PC - A nice concept that falls flat on its face. Living through some classic fairytale character’s stories with some bloody hack-’n'-slash combat is a nice thought, but horrible gameplay, a poorly kept-together plot, and nothing really special about using these fabled characters from fairytale lore aside from the random weapons they find was really a disappointment.

2. TMNT: Smash-Up – Nintendo Wii - It uses the same engine as Super Smash Bros. Brawl, but it lacks everything else. Only a handful of selectable characters, a miserable story mode, and controls that aren’t nearly as responsive as the Nintendo character counterpart. A bitter disappointment for any TMNT fan and another TMNT media project that doesn’t include the original theme music!

3. The Conduit – Nintendo Wii - This is probably one of the most hyped games of the year and instead should be considered as the worst first-person shooter of the year. Basically a remake of Perfect Dark from N64, but with some more high tech weapons and a looser plot. The graphics look like something from the Gamecube and the multiplayer, although probably one of the better ones for the Wii, is still subpar when compared with the multiplayer offered by games for the XBOX 360 and PS3.

Well folks, there it is. For all you last minute shoppers out there, those are some helpful hints. Thanks for reading my article and have a happy and safe holiday season.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

I think every boy growing up in my generation who saw Jurassic Park instantly fell in love with dinosaurs and the idea of “What if they roamed the Earth, today?” We even sat through the less than stellar sequels because the thought of living with these long extinct creatures excited and scared us in ways that stimulated our pre-pubescent imaginations.

Most of us have matured (and, of course, most of us now are obsessing over women, an entirely different breed of creature that excites and scares us), but we still remember the feelings that are stirred up when a concept involving dinosaurs is brought to the table.

In that vein, I present to you Jurassic: The Hunted, a new first person shooter from Activision. You play as Craig Dylan, a contractor for a private security firm that is hired by a scientist looking for her father whose expedition was lost in the Bermuda Triangle back in 1983. As your plane flies over the ocean and you prepare to parachute onto an island, a storm suddenly appears and lightning strikes your plane. As the plane begins to tail spin out of control, you, your teammate, and the doctor (Gilligan and the skipper escaped the same fate), fall into a bright blue light. When you wake up and begin foraging for weapons and supplies, you come across a lizard…a really big lizard.

Thus begins your adventure as you find out later that you fell through a temporal vortex and that the reversal of the earth’s magnetic poles are causing tremendous amounts of unstable energy to pull creatures and objects from all of time. You’ll explore a German U-boat, use weapons from the Civil War, and get your hands on a sweet plasma rifle from the future as you search for the missing doctor and end up trying to save the world in the process.

Well, it isn’t the most original plot, but it had great potential and like I said before, people love dinosaurs. Unfortunately, great potential does not a great game make. The execution of the plot felt rushed, like Activision was trying to just get this out before the holiday. I blew through the entire game in about five hours and even with the unlocking of a hard mode, and the inclusion of a survival mode that reminds you of a one-man Horde or Firefight mode from Gears 2 or Halo 3: ODST, is not enough to make this an elite game.

I will say that the game at least looks good. Seeing the dinosaurs on-screen in this game is like watching Jurassic Park again. All I would need is John Williams’ classic theme and I would be set with the peripherals of this game. Unfortunately, the sound falls flat on its face compared to the graphics. The music and SFX are generic at best and the voice acting would be comparable to Larry the Cable Guy trying to do Shakespeare.

The gameplay is solid, but not spectacular and I would have loved a larger variety of weapons, especially those from different time eras. The whole time travel aspect of the game wasn’t emphasized enough in general, but that again goes back to the rush job that Activision seemed to give this one. The boss battles were simple and you shouldn’t die more than a handful of times if you are any good at first-person shooters. The adrenaline feature you have is a nice idea and the graphics of seeing the vitals for the dinosaurs are awesome, but aside from that it is mostly unnecessary.

Going back to the survival mode, which is probably the only thing to try to bring you back to this game, but it isn’t special in any way and you should get your fill of hunting dinosaurs after a single playthrough of the game.

This game has a really strong core to it, but it just seems that everything was so rushed that it started to unravel at the seams as you continue through the entire game. The gameplay is average and there is no difficulty to speak of for anyone familiar with first-person shooters. A saving point for this game is that it is available on all systems and is only $40 compared to the full $50 or $60 price usually seen. Still, it shouldn’t offer you more than five to seven hours of gameplay and for that I would rent this instead of buying it.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 9.0: Easily the best part of this game is the visuals. The dinosaurs look just as good as if you were watching Jurassic Park and there were almost no glitches to speak of.

Audio: 4.0: Generic music and SFX do a horrible job of setting the mood or immersing you in the game. Add on top of that some of the worst voice acting I’ve heard in a long time and this game might be better played with the volume off.

Plot/Plot Development: 6.0: A fun idea that should appeal to a wide audience, but horrible execution and a feeling of being rushed through the game really takes you back and out of the experience.

Gameplay: 6.5: There weren’t any glitches that I could think of throughout the game, but there were only a handful of weapons to use and the melee feature was not necessary because if the dinosaurs got close to you, you were done for. Of course, every first-person shooter needs to have a melee option though. The adrenaline feature was also unnecessary. Add in the simplicity of the game and you have a barely passing score.

Replay Value: 4.0: A couple of difficulty levels and a survival mode is just not enough to bring me back to this game after the initial playthrough.

Overall (not an average): 6.5: The game gets a barely passing score because even with all the flaws it had, it was still fun. It is sad when a game like this comes out because if the developers had sat on it and put a little more into it, you could’ve seen this being a solid game that made an impact instead of something that is at best a good rental. The lower price tag does make it appeal a little more to the masses, but I would still rent it over buying it.

Jurassic: The Hunted is out now for Xbox 360, Wii, PS3, and PS2.

-Ray Carsillo

So there it is, the hottest women of the decade. I hope you enjoyed and please feel free to comment and let me know if there is someone I forgot. I have made a collage of my top 10 and am off to pleasure myself. I should be out of the house by the New Year.

Oh and Erica (my wife) you are honorable mention. I love you more than anything in the world and you are the world’s greatest wife.

Happy Holidays to all!

There are few games that can offer the sense of realism like a racing game. There is nothing quite like the feel of pounding the clutch as you switch to 5th or up to top gear as you try to pass on the outside as a hairpin turn is approaching. There are few things that match the visceral sensation of actually fighting against the g-force as you drift into a turn at 110 MPH and try to tame the laws of nature itself. Of course, a large part of this comes with the tools that can be added to a racing game in the form of a steering wheel, pedals, and shifter that you need to truly experience all the moments I described above.

So, when you pop in the winner of Spike TV’s VGAs Best Driving Game of the Year (which I agree wholeheartedly with), Forza Motorsport 3, what wheel would provide the best experience to go with the best driving game?

Well, I know a pretty strong candidate for the discussion. Let me introduce you to the Porsche 911 Turbo S Wheel from Fanatec. With two possible gear sticks, three force feedback motors, and a smooth belt drive; this wheel easily provides the best racing experience possible on the Xbox 360 and therefore makes it the best wheel on the market.

I enlisted the help of a friend of mine, Joseph Layton (give a quick shout out to Joe!), who is a gearhead and an avid video game racer (and also sometimes serves as my editor) to try out the wheel and give it a good thrashing. He played with it for four hours straight, rushing through gears, drifting all over the track, and, generally, driving like a maniac. He said the finish of the wheel was excellent and the sense of driving was very lifelike. The hand-stitched leather wheel cover provides a great grip and the authentic Porsche crest looking back at you lets you know this is a special piece of equipment.

After I pried my buddy from the wheel, I stepped into the driver seat myself and looked at the peripheral from a pure gaming perspective and I immediately found myself fighting against the wheel as I tried to take some tight turns a little too quickly.

The term “simulation” had taken on completely new meaning because there was an entirely new world of nuances and fine-tuning that I didn’t get with a regular controller and now needed to take into consideration with this wheel. From knowing when to let my foot turn to led to when to let up and ease on the brakes, this was racing like I had never experienced before and it was good. Even when using the famed Forza Motorsport 3 Rewind mode, the wheel would actually rewind itself as well to the position where my wheels were at that previous point in the race as I prepared to re-do that hairpin turn. The wheel had surprised me and made a great game even better.

I had only a couple of problems with what the wheel had brought to the table. Although my friend said it was mostly authentic to a Porsche’s pedals, I thought the pedals were a little too sensitive and not being able to adjust that on this model was a little bothersome (But that could be the car we used in the game during much of the testing, a racing-spec Porsche GT2, in honor of the wheel).

I was also a little perturbed with the placement of the buttons on the wheel. Often when reaching for several buttons in mid-race, I would press the wrong button and would suddenly be rewinding the race when I just needed a pause for a bathroom break.

Aside from these minor complaints, this wheel does nothing but add to the overall experience of an already great game. Throw in that the wheel is backwards compatible with any racing game that supports the Microsoft Wireless Wheel and is also compatible for the PS3 and the PC and that makes this wheel worth the $350 price tag because it will last you the remainder of this generation of consoles, and since this current generation is expected to last longer than previous ones, it looks like it would be a great investment in your video gaming peripherals.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Overall: 9.0: Obviously, none of my other usual categories apply to this piece of equipment. Hands down, this is the best wheel on the market and due to its compatibility with previous Xbox 360 racing games and other systems, it makes it a worthwhile gaming investment. Throw in the phenomenal force feedback (the best of any wheel I’ve ever used) and smooth feel of the wheel and I can’t rave about this wheel enough.

Note: The wheel was used with a Rennsport Wheel Stand (also from Fanatec) which made the entire review much easier than it would have been otherwise. The stand itself should also receive a 9.0 because the setup was quick and simple and the overall build quality was very good. I had no problems with the stand, but my friend complained about it sometimes hitting his leg when using the pedals. I just think he was flailing about way too much though.

-Ray Carsillo

Ever since the Madden franchise acquired rights exclusivity to the NFL, there have been several alternatives to try and put a dent in the near impenetrable armor that surrounds the football powerhouse that is Madden. Another new contender is stepping into the ring though and it isn’t necessarily emphasizing the truck stick.

QuickHit.com is a website that offers a free flash based football game that will rack the brains of Fantasy Football heroes and test the mettle of Madden die-hards alike by combining RPG elements with the pure strategy that you would find out on the gridiron.

RPG elements? Flash based? FREE?! That’s right. It doesn’t get more revolutionary than this. No downloads required and no credit card either. In fact, before writing this article, I got a quick game in at work even though I signed up on my home PC if you’re questioning the download part.

Aside from the pure strategy involved with calling all the plays since you’re your custom team’s head coach (and if you’re a rookie in that department, NFL Legend Bill Cowher lends a few suggestions along the way), you can also decide what players to train (level up) between games and what new abilities they can learn (offensive linemen can learn moves to help them get a pancake block, running backs can break more tackles, etc., etc.).

Now, of course, a team with a higher level will have a clear advantage, but the best part will be when two evenly matched teams duke it out as it is a true test of your football acumen that you just can’t find in the often glitch riddled gameplay of Madden (there are ALWAYS at least five plays that will ALWAYS work).

A downside for many people though will be that the game isn’t the best looking, but anyone who is a true football fan should be able to look past the simple flash-based graphics and appreciate the great football gameplay that is played out before you, as you get the instant gratification or instant frustration as you see how the play you called turns out.

There is only so much I can tell you about QuickHit.com, so I had an opportunity to talk with the Director of Design on QuickHit.com, Brandon Justice, and I think he can tell you much better than I could just how awesome QuickHit.com is so be sure to check out the video over here!

So, if you are looking for an alternative to Madden or Madden Head Coach and don’t want to keep dropping the $60 every year for updated rosters and tweaked graphics, QuickHit.com might be the answer for you. It’s as simple as going there right now and signing up for FREE (Of course, with it being free there are a couple of short ads you might have to sit through between quarters, but they take about as long as the ridiculous load times Madden 10 had this year)!

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 7.5: It is hard to judge graphics on a flash game because you know right off the bat it could never compare to the power of a console game, and QuickHit.com admits that it would be impossible for them to try (at this point in time, anyway), so in comparison to other flash and free online games, the looks for this game are solid, especially in all the menus.

Audio: 5.0: Generic pads clashing, whistles, and other football related SFX mixed with generic music gives this a middle of the road score.

Plot/Plot Development: N/A: It’s a sports sim (with RPG elements)…

Gameplay: 9.0: This is one of the key elements that QuickHit.com shines in. A plethora of plays that are easily selectable with drop down menus that whittle down your options to the specific play you are looking for, no glitches that I was able to notice, and the fantasy football RPG elements between games to level up your players will appeal to every guy who has ever played Fantasy Football and loves tweaking his roster from week to week.

Replay Value: 10.0: RPG and sports games are possibly the most addicting games due to the obsession you develop over time when it comes to leveling up and tweaking your roster as you make another run to a championship. Combining those elements will keep football fans coming back for more. Millions will be lost in workplaces across the country as people keep playing football at QuickHit.com!

Overall (not an average): 8.5: For a work in progress, this is a very addictive and fun (and cheap!) way to pass the time. It can only get better as new features get added to it and it already has a rock solid base to work from.

-Ray Carsillo

Quick side point. We always hear pundits emphasize the word “valuable” in MVP, indicating the player that proved most instrumental to their team’s success; the one guy whose team could not succeed without him. A lot of this is speculation though. We only really know a player’s true value when he leaves his team for one reason or another. Therefore, I am nominating only players whose teams folded in their absence.

Troy Polamalu: Strong Safeties should not affect the game this much. NFL insiders will always take a good CB over a good safety, because a CB sees action on 60-80 plays a game, and a safety usually sees around 40. Simple math. You know what is simple math? 12-4 and a Superbowl victory versus 6-6 and likely to miss the playoffs. Not convinced? Five of Pittsburgh’s six losses have come in games in which he did not play . Case closed

Owen Daniels: Tight ends should not affect the game this much either. Or should they? A truly great TE should theoretically scare opposing defenses more than a great WR. CB’s can guard a WR, but they can’t match up with the strength or size of a great TE. The only defenders with parallel athletic skills – size, speed, and strength – to Owen Daniels are elite defensive ends and premier outside LB’s (think Demarcus Ware), and those guys don’t have the specific coverage skills to match up. Remember when the Texans were kicking ass and taking names? Hint, it was right before Owen Daniels was lost for the season to injury. The Texans have lost every big game since Daniels tore his ACL. Owen Daniels, welcome to the top three.

Kurt Warner: All it took to convince me was the one game the Cardinals lost to the Titans. Throughout his career, I have looked at Warner as a product of his WR’s. Who wouldn’t succeed with Isaac Bruce/Tory Holt/Marshall Faulk or Fitzgerald/Boldin/Breaston? Maybe I have not been giving Warner his due credit. That changes now, because he is my smart-guy pick for MVP. With Matt Leinart in the game, the Cardinals dropped a close game to the Titans. Insert Warner, and they’re pounding the Minnesota defense. Warner has such a quick release that opposing pass rushers have to get to him in three seconds or less. Did you see Jared Allen on Sunday Night, because I wasn’t even sure he was playing. If Warner can avoid any more brain injuries before the end of the season, then I will pick them to make and win the Superbowl.

Look forward to seeing everyone next week when this court finally puts Jared Allen on trial for Gunslinging.
The Supreme Court of Football is manned by NYU Law student and former intern under Lundberg, Zach Abramowitz. Football is less boring than law school. You can contact Zach at zra203@nyu.edu

The first new DLC is titled “Battle of Forli” and will hit the marketplace sometime in January 2010. No details of the plot have been released, but if it is taking place in the Romagna/Forli region, and if you paid attention to the Animus’ promptings for history lessons about the people and buildings in the area, then you could probably draw the conclusion that you are going to be doing a few favors for the lovely Catalina.

The second new DLC is titled “Bonfire of the Vanities” and is supposed to hit the marketplace in February 2010. There have been absolutely no confirmed details released about either of these DLC’s in terms of plot and how they tie into the main story of Assassin’s Creed II, but Ubisoft has confirmed that each DLC should be about 1 GB in size. This means that each one is going to be about the size of GTA IV’s The Lost and the Damned if you are looking for a point of reference.

Ubisoft has also said that they will reveal more before the New Year at least about “Battle of Forli”. There has been no word on achievements, price, or exact release dates up to this point, but with the few details we have, I think it is enough to get excited about considering how great Assassin’s Creed II was.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Originally, this court had planned to decide an issue surrounding the Minnesota Vikings, but the court has been called to instead rule on an emergency appeal, matched only by Bush v. Gore. I am, of course, referring to Angry Mob of Morons v. Bill Belichick.

The facts of this case are well known and need no further explanation. On 3rd and 2, with the ball at their own 29-yard line and leading the Colts by six points, Tom Brady threw an option route to Wes Welker, which landed incomplete and brought up 4th down and 2. Belichick opted to go for it rather than punt. On the next play, Brady completed a quick out to Kevin Faulk but the officials spotted the ball a few inches short of the first down marker. Had they gotten the first down, they could have kneeled and run out the clock. Since they failed, however, Peyton Manning had to travel only 29 yards for the winning touchdown.

The Angry Mob of Morons claims that Belichick should have punted and turned the game over to his vaunted defense, even though they had already given up 14 fourth quarter points. The Mob claims that every other NFL coach would have punted in that situation, and therefore Belichick should have done the same.

This court rejects the mob’s reasoning for two reasons. First, Brian Burke of the NY Times Fifth Down Blog has demonstrated that, statistically speaking, it always pays to go for it on 4th and short, even from your own 29-yard line. The Pats actually gave themselves a better chance of winning by going for it rather than punting. Said differently, we like to remember the punts that pin opponents inside their own five yard line, we forget the punts that net only 20 yards, even though they are the more common result. The Pats had no guarantee that their punt would keep the Colts out of reasonable scoring distance.

But even forgetting the statistics, Belichick had a much better reason to run a play, rather than punt. Decision makers should always abide by the following simple principle: always do what your opponent hopes you won’t. The best barometer for whether or not you’re running the right play is your opponent’s response. In this case, there is clear and compelling evidence that the Colts wanted the Pats to punt. Peyton Manning admitted after the game that when his defense forced the Pats into a fourth down he became very excited. He also admitted that when he saw them running a play other than a punt he grew very nervous. He thought he would not get another chance to take his team down the field and score. Peyton Manning was not thinking, “Yes! They’re going for it. They’re not going to make it. I will have an incredibly short field.”

In this court’s opinion, however, Belichick made two crucial mistakes: (1) not treating the entire series as four down territory and (2) calling low percentage plays. Why didn’t the Patriots run four times in a row? Why not throw deep to Randy Moss, a play that had worked every time they had run it that night? Reviewing the last play, this court cannot ignore that Belichick called for an incredibly difficult a throw and catch, which partially explains why Faulk bobbled the ball.

Next week, this court reviews whether or not Jared Allen is a gunslinger.

The Supreme Court of Football is manned by NYU Law student and former intern under Lundberg, Zach Abramowitz. Football is less boring than law school. You can contact Zach at zra203@nyu.edu

The new game is New Super Mario Bros. Wii and it takes elements from the greatest of Mario’s titles from over the years (mostly Super Mario Bros. 3 and Super Mario World, with hints of the original Super Mario Bros., Super Mario World 2: Yoshi’s Island and Super Mario 64 sprinkled in). Princess Peach has been kidnapped by Bowser for the millionth time and it is up to Mario to traverse eight worlds (inspired by Super Mario Bros. 3 and Super Mario World) broken up into 69 different stages.

To make matters more difficult, Bowser has pulled out all the stops. After their 18-year hiatus, the seven Koopalings (again from Super Mario Bros. 3 and Super Mario World) Larry, Morton Jr., Wendy O., Iggy, Lemmy, Ludwig von, and Roy are back along with Bowser Jr. to defend the castles at the end of each world. Bowser Jr. is also traveling in style since Bowser’s old airship has been rebuilt and will continue to pester Mario on his quest. Also brought back into the mix are the many varieties of brothers who used to pester Mario way back in Super Mario Bros. 3. Hammer, Boomerang, Giant Hammer, Fire, and Wrench brothers are back along with the all-new Ice brothers, and always seem to pop up in Mario’s path at the worst possible moments.

To help combat the largest roster of baddies Mario has ever had to face, Mario has been given several brand new powers along with his payload of Invincibility Stars, Fire Flowers, and Super and Mini-Mushrooms.

The first is the Propeller Mushroom that gives Mario limited flight abilities (anyone remember the Tanooki Suit, Raccoon Leaf, or Cape Feather?) as well as increases his spin attack. The next item is the Ice Flower. Similar to the Fire Flower, Mario throws snowballs now that freeze his opponents in huge blocks of ice that he can then use as stepping stones to make it to higher ground or to pick up and throw at other enemies. The final new item, the Penguin Suit, is a multi-purpose tool. It not only allows you to walk on ice with minimal slipping, but you can throw snowballs like with the Ice Flower and swim better as well (memories of the Frog Suit come flooding back to me now). They even brought Yoshi back, but unfortunately, he can only be used on the stages you find him in, he can’t travel with Mario anymore.

This game is the ultimate shot of nostalgia for any gamer who grew up with the Mario Bros. franchise. There may be a few new additions to the franchise like new items and the 4-player co-op gameplay, but aside from that this is just plain old-school Mario Bros. (they even brought back item reserves that you can access from the world map like in Super Mario Bros. 3).

The graphics are crisp, clean, and make this probably the best looking side-scroller I’ve ever seen. Mix that with the classic Mario music, SFX, and Charles Martinet as Mario and the peripherals for this game don’t come much better.

The plot is the same as it is in every other Mario Bros. game, but we wouldn’t have it any other way and with 4-player co-op adding new levels of fun and intensity, this could be the greatest Mario game ever. Along with the 4-player co-op adding tons of replay value and a new level of difficulty to the game, there are also three special star coins on each stage that unlock something special at the end of the game if you collect them all…

The only real knock I have with this game is the single-player difficulty. I beat the entire game with 50-plus lives in just under 6 hours and was left wanting more. With an abundance of items and 1UP chances available, there is no reason why you should die repeatedly on any stage or against any boss (all you need is to jump on all their heads three times, works every time). I think Nintendo was worried about trying to cram in every single obscure reference to previous Mario incarnations that they forgot to add a little more difficulty to some of these levels.

New Super Mario Bros. Wii is available now and looks to stack up as the greatest Mario side-scroller of all-time.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 9.0: This is the best looking side-scoller ever in the Mario series simply because this is the most advanced system for a Mario side-scroller to be on. Need I say more? Although tiny Mario (before he eats the Super Mushroom) did look a little weird at times.

Audio: 10.0: Charles Martinet coming back for a Mario’s limited dialogue combined with the classic SFX and music we’ve all come to know and love and the audio is spectacular.

Plot/Plot Development: 10.0: I don’t know how the same thing has worked for the past 25 years, but it has and I’m more than happy with it just being “Peach gets kidnapped by Bowser, Mario chases after Bowser, Mario stomps on Bowser (or throws fireballs), and Mario rescues Peach”. If something is not broken, don’t fix it, and Nintendo knows that better than anyone.

Gameplay: 8.5: For the most part the game handles perfectly and is classic Mario action in every way. I love the new items, I love all the nostalgia, I just wish it was a little more difficult.

Replay Value: 9.0: Like I said, the lack of difficulty might keep you from wanting to come back, but 4-player co-op, tons of collectibles, and classic Mario action should outweigh the difficulty factor.

Overall (not an average): 9.0: This game is a must have for any Mario fan and gamers who grew up with the series will jump for joy with all the old-school elements brought back. The only real knock on the game is that I didn’t think it was as hard as it could’ve been or had been hyped to be. At the end of the day though this is still a great game and most gamers should go crazy for all the nostalgia this conjures up. And hopefully it won’t be another 18 years before we see the Koopalings again.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

As a Giants fan, the first person who comes to my mind when speaking of defensive greatness is Lawrence Taylor, the one and only man who should be referred to as LT. When I think of LT, the first things that come to mind are the hundreds of great plays he made over his career, the MVP, and the two Super Bowl Championships. Many other football fans, though, instantly think of him snapping Joe Theismann’s leg like a twig and ending his career instantly.

LT changed the game forever that day as the position of left tackle (which fittingly is also LT on the stats sheet) had a spotlight shone on it like never before. The position was now seen as needing to be filled by someone just as talented as the quarterbacks they were hired to protect. Men like Orlando Pace, Tony Boselli, David Diehl (maybe my Giants bias comes through with that one), Walter Jones, and many others in their position have been lauded as the rocks of many franchises over the years.

This unquestioned importance for the position makes the true story of Michael Oher, the current rookie left tackle for the Baltimore Ravens (1st round, 23rd pick), something of a modern day fairytale (along with the whole rags-to-riches and inner-city struggles thing wrapped in football pads) as he did not have the most traditional of paths to the NFL.

The Blind Side, presented by Warner Bros. and based on the best-selling novel The Blind Side: Evolution of a Game, is the telling of Michael’s incredible tale that is still unfolding as we speak.

Growing up without a real family or home, Michael (played by newcomer Quinton Aaron) survived a difficult childhood in the poverty stricken projects of Memphis only to be taken in by the well-to-do Tuohy family, spearheaded by the unstoppable force that is Leigh Anne Tuohy (Sandra Bullock). With the help of the Tuohy family, specifically Leigh Anne, Michael is able to reach his full potential, both on and off the field, and help the Tuohy family find something they didn’t realize they were missing until Michael entered their lives.

We all know that this tale has a happy ending, but this is still a spectacular movie, even if you are not a football fan or familiar with the story. Everyone involved gives fantastic performances and Sandra Bullock could be up for an Oscar nomination for this role. The movie has you laughing one instant and tugs on your heart strings the next, all the while telling this amazing story in a way the whole family can enjoy.

But this isn’t just a football movie. Football is simply the catalyst for this tremendous story of how one man’s journey was forever altered by the love and generosity of complete strangers and how he was able to reach his fullest potential because of it.

I almost felt that the story, which took 2 hours and 5 minutes to tell, was actually a little too perfect, even with me knowing it’s true. There was clear adversity that Michael had to overcome, but I don’t think it was shown as much as it could’ve been, possibly just to maintain a PG-13 rating. How much he struggled adapting to a new school, these strangers who took him in, these teachers who didn’t want to teach him, I just needed something more. There just seemed to be a lot of help for Michael wherever he turned and that ever-present aid will keep this movie from being an all-time great sports movie like Rudy. I mean, it’s not fair. I want to be adopted by a rich white woman, too (especially if it’s Sandra Bullock)! *Lundberg’s Note: Sandra Bullock is not that hot. End of Lundberg’s Note* Still, it’s a very enjoyable watch and a must-see film for any sports fan.

The Blind Side will be released nationwide on Friday, November 20, 2009, and gets 4 out of 5.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

It was an unusually warm day in November when I got word that there would be an advanced screening of Focus Features’ newest picture, Pirate Radio. In addition to the screening, I would get the chance to talk with Tom Sturridge, a bit of an acting newcomer who would serve as the film’s lynchpin, and the writer/director of the film, Richard Curtis.

Well, I grabbed The Who’s Greatest Hits album, aptly titled after one of their greatest singles, My Generation, jumped in my Chevy (would have been more fitting if it was a Mini Cooper, I know, but I drive what I drive) and sped away towards midtown Manhattan.

Being a bit of a Richard Curtis fan for his work as a writer on one of Britain’s most celebrated sitcoms ever, Black Adder, and for his directorial debut with Love, Actually, to say I was amped up would probably be an understatement. I had also wanted to desperately see this movie since I had heard of it because I usually enjoy time-period pieces about one of my favorite subjects, the history of TV and radio.

All I can say is that my anticipation did not turn to disappointment. Pirate Radio is a wonderfully done coming-of-age story about a young English boy named Carl (Tom Sturridge) whose mother has sent him to one of England’s notoriously famous pirate radio stations where his godfather (Bill Nighy) happens to be the man in charge.

Once aboard the floating piece of history, Carl becomes fast friends with many of the DJs who operate out of the waters surrounding England including an American man simply known as “The Count” (Phillip Seymour Hoffman) and another known as Dr. (he’s not a real doctor) Dave (Nick Frost). While there, Carl struggles with the many problems faced by a teenaged lad of the time from drugs, to women, to making friends, and all the while finding out who he is to the greatest rock soundtrack possibly ever put together.

The music is the true driving and uniting force of this movie. When I asked Tom how he got into the character of Carl he replied: “The thing that was really useful was just listening to the music. I think the easiest way to learn about what it’s like to be young in the 60s is to listen to its most eloquent, youthful poets sing about it. So, Rich, gave me an iPod before the film that had every piece of music from 1961-66 on it and I would just constantly listen to the music.” To hear more from Tom on Pirate Radio, you can
CLICK HERE!

The music would also serve as the catalyst for much of the action in the movie as back on the shores of merry ol’ England, while Carl is busy finding himself, several members of the Parliament, spearheaded by Sir Alistair Dormandy (Kenneth Branagh) are trying whole heartedly to shut down the pirate radio stations and this would lead to the movie’s exciting climax that I refuse to spoil here.

When all is said and done, Pirate Radio is a fun to watch romp on the high-seas with a tremendous, star-studded cast, who all deliver fantastic performances. When I asked Richard Curtis how it was trying to direct all this talent at once he said, “I think you just have to tell people the truth at the beginning. All of them knew this was going to be a communal film. We shot it in a particular style with cameras on the cameramen’s shoulders so every scene anybody could be being shot at any moment. So it wasn’t one of those films where you said ‘well this is Phil’s half hour, and this is Nick’s half hour’, the camera just roamed around as we did the scene again and again and I think that meant that everybody joined up in the agreement that it was a democracy, a chaotic democracy.” To hear more from Richard on Pirate Radio, you can
CLICK HERE!

The best part of this movie is that as absurd as it is at times, it is based off a time when England really did have radio stations based out at sea and that alone brings a smile to my face. I thought Tom Sturridge wasn’t the most likable of main characters, he seemed a bit too stiff and serious at times, but if you like British humor wrapped up in zany situations, then this should be a sure fire winner for you. Now crank up Baba O’ Riley and be sure to see Pirate Radio as it comes out nationwide Friday, November 13th, 2009.

I give Pirate Radio 4.5 out of 5.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Of course, times have changed. Now, many of the best and brightest games have scores composed by full orchestras or big time, main-stream bands, but those original compositions still bring back childhood memories of simpler times to go along with our simpler games. The themes from Super Mario Bros., The Legend of Zelda, Mega Man, Sonic the Hedgehog, and Castlevania, are still lovingly talked about alongside the newcomers from Metal Gear Solid, Halo, and Kingdom Hearts.

The music from these games and the feelings of nostalgia they conjure up are only now starting to get the respect they deserve on a scale worthy of the sales of these monolithic franchises. In that vein, I present to you Video Games Live.

Video Games Live was founded back in 2002 by celebrated game composers Jack Wall and Tommy Tallarico and has been a tour de force ever since. With a full orchestra and choir in tow, Wall and Tallarico have put together a show that needs to be seen to be believed. Fortunately, I saw it about two weeks ago. With musical selections from over 20 video games played, and 40 more waiting in the wings ensuring that an audience will never see the same show twice, Wall and Tallarico mix in geek-based humor with a light show, scenes from the greatest games ever created, and musical acumen that rivals the best and brightest out there.

The show I went to at the Beacon Theatre was the most fun I’ve had in a long time. You had a costume contest for people dressed as video game characters, a Guitar Hero competition, and a random drawing for a Nintendo DSi. You had special messages from Hideo Kojima, the creator of the Metal Gear series, as he gave a special recorded greeting before the playing of the Metal Gear music, and Koji Kondo, the composer of the Mario Bros. and Legend of Zelda themes, give a special message as well.

There was a live Q & A with Ralph Baer, the man credited with inventing video games (he is also credited with inventing the light gun, the first video game system peripheral, and the popular kids’ game Simon in the 70s), over Skype and it was impressive to see this legendary inventor at the ripe age of 87 still smiling at how his invention has changed and influenced the lives of so many people across the world.

You had YouTube sensations, pianist Martin Leung and Laura “Flute Link” Intravia, come on and do what made them famous on the stage. Martin is best known for playing the Mario theme on piano blindfolded and Laura plays a stunning rendition of the Ocarina of Time music on flute, in full green tunic like the Hero of Time. Both would accompany the orchestra on several songs over the course of the night, usually to standing ovations (I nearly leapt out of my seat when Martin started playing the Super Mario World theme).

There was a request portion (where I nearly lost my voice screaming for the Mega Man theme and starting a Mega Man chant in my section of the Beacon Theatre; I was pleasantly surprised to find it was incorporated later into the show) where everything many fans called for was played and many were pleasantly surprised when Martin broke into the original Tetris theme, just because.

There were classics played from Mega Man and Chrono Trigger to more recent games like Halo and Shadow of the Colossus, but no matter if you were young or old, newbie or wily old veteran, there was something to make every geek and video game fan smile and laugh.

Video Games Live is now on their fourth world tour, and much like the game music they play, are just beginning to receive the respect and recognition they deserve. Playing to sold-out shows all over the world and constantly adding new and beloved video game music all the time (including the one I went to at the Beacon Theatre), Video Games Live is an ever-evolving entity much like the games off of which they are based. It is with the utmost praise that I recommend that every video game fan should see this show when they come to your town.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

The first session of the 2009 Supreme Court of Football convenes today to answer a simple question: should the Titans fire Jeff Fisher?

As Chief (and only) Justice I conclude, that the Titans should fire Jeff Fisher – three years ago. My reasoning is set forth below.

Although, I consider myself a passionate Texans fan, I have never been a Vince Young hater. In fact, despite its ugly colors and my venomous hatred for Jeff Fisher’s Titans, I have a Vince Young Jersey hanging in my closet (Does that make me a closet Vince Young fan?). At the beginning of this season, and in the eyes of the nation — actually just to a list-serve of my closest football-judge friends — I told everyone that (1) the Titans were going to be miserable and (2) Vince Young would make them slightly more dangerous. I encourage everyone doubting Vince Young as a dangerous dual-threat QB to watch this drive below…

NFL.com Drive of the Week
I didn’t say that Vince Young would get the Titans to the playoffs, but trust me, as an unbiased fan of another AFC South team, Vince Young scares me more than Kerry Collins. The Supreme Court of football has an established common-sense principle that Fisher seems to have forgotten: always do what your opponent hopes you will not.

Some people (again on my email list) said I was predicting the Titans would flounder because I wanted them to, not because I actually thought they would stink. This is not the case. I based my prediction on cold hard facts. I simply looked at how the Titan’s defensive linemen performed with and without Haynesworth, who left the Titans in free agency. Kyle Vanden Bosh was the perfect example. The stats revealed that he had never, in his entire career, notched more than 3.5 sacks before he lined up next to Haynesworth in Tennessee. My research revealed that when the Titans suspended Haynesworth for five games, the teams’ sack total dropped nearly 40%.

Judging (pun intended) from the Titans 1-6 performance, it appears that I was right.

The Titans are currently on pace to finish 24th in sacks; last year they finished in the top five. Of the other 2008 teams finishing top five in sacks, only Pittsburgh could compare to the Titans run defense, and I would have given the edge to the Titans. That stout defense – led by Haynesworth – gave the Titans the ability to run, run, run without their opponents being able to turn around and do the same. Consider this analogy: when playing a chess master, it does not work to simply replicate their every move; eventually you will lose. The same held true of the Titans. They could run and defend the run better than their opponents who ultimately had to rely on the passing game. Passing on the Titans risked physical danger to QB’s from Haynesworth’s relentless pass-rush.

Which brings this court to Fisher…
At 2-6, Fisher’s team is now out of the playoff picture for one simple reason: he gambled against Albert Haynesworth. Time and time again, he told the media that Haynesworth’s loss would not affect his team. Fisher’s long tenure with the team gives this court reason to suspect that Fisher had plenty of say in Albert Haynesworth’s contract negotiations. Furthermore, thinking his Haynesworth-less team could mimic their 2008 performance, Fisher put the ball in the hands of Kerry Collins – his 2008 Quarterback. Why not take a chance on a team that would not otherwise make the playoffs, and hand the ball back to Vince Young? I don’t know what the Titans record would be to date with Vince Young, but I said before the season that, best-case scenario, the Titans would finish 6-10, and even that now looks unlikely.

I knew all this by cooking up some pretty simple statistics: looking over time at the D-line’s performance – as a unit and as individuals – with and without Haynesworth. It didn’t take an economist; it took ESPN.com’s stat pages. With Haynesworth the Titans flourished, without him they struggled, and struggled mightily. If I recognized this sitting at my computer, why couldn’t Fisher figure this out inside the locker room and on the field?
In conclusion, the worst thing a coach can do is buy his own hype. I get the impression that Fisher thinks he’s a coaching genius because he hears it from media pundits everywhere. This court suspects that, deep down, Fisher credited himself with his teams’ 2008 success. He assumed he could replace the moving parts, even the engine that made the car run. But ultimately, football boils down to the players, and the best two things a coach can do is (1) properly evaluate his team’s talent and (2) manage egos. In the last three years, however, Fisher let Haynesworth walk and Vince Young — once a team leader — sink into anonymity. It is time for the Titans to let Fisher do the same.

The Supreme Court of Football hereby orders the Titans to go back three years in time and fire their coach. The court further orders media outlets everywhere to stop kissing Fisher’s ass.

The Supreme Court of Football is manned by NYU Law student and former intern under Lundberg, Zach Abramowitz. Football is less boring than law school. You can contact Zach at zra203@nyu.edu

Darksiders follows the story of the Four Horsemen of the Apocolypse and how War has been blamed for bringing about the Apocolypse early. Charged with clearing his name and finding the true culprits, you take over as War and use your awesome powers to fight your way through the ruins of the world on your quest for vengeance.

I had a chance to talk to Joe Mad at this year’s Big Apple ComicCon as well as get a hands on with the game’s early demo. Check out the interview below for more details on the January 5, 2010 release and some sweet footage of this sure to be action/adventure smash-hit.

I also apologize for the low video quality, but the original file could not be uploaded to YouTube so we had a lot of compression to do.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

As mentioned in my article on the new South Park video game, there is also a new season of South Park going on now. Unfortunately, Comedy Central’s show to bridge the gap for last season between the foul-mouth youths of South Park and the satirical wit of The Daily Show with Jon Stewart was Krod Mandoon and the Flaming Sword of Fire, and as predicted by yours truly, it sputtered out after only a season as they burned through the same jokes over and over again.

Well, you can’t have a gap in your strongest block of programming, so Comedy Central has taken their chances this time with an even raunchier comedy, Secret Girlfriend.

The basic premise is that this sitcom revolves around YOU. At least, it is supposed to. Shot in a first-person perspective, you live somewhere in California where the sun is always shining and the ladies are always wearing something skimpy. Along with your two roommates/best friends, the sitcom follows you as you attempt to attain all that most guys in their 20s think about: booze and babes. All the while you also try to keep your hot, but bat-guano insane, ex-girlfriend from mucking up your life. You also find a meaningful relationship early on, but must keep her hidden from your ex-girlfriend to protect hers and your safety (hence the title of the show).

The show follows you to parties, clubs, strip clubs, and your apartment complex as your roommates try to use get rich quick schemes and viral videos to help them on their quest to get laid where as you don’t have that difficulty due to your natural good looks and charm. You are thrown into constantly sexually provocative situations with random girls at bars, the yoga practitioner across the hall, and even on the car ride to wherever you are headed that day. All in all, you live a pretty sweet life.

I’ve watched the first three episodes of Secret Girlfriend because I wanted to see if there is more to it than just potty humor and hot women. There is not. And that might just make it a success. Of course, there is also a more probable chance, much like it’s time-slot predecessors, that it will burn through these jokes much too quickly and grow old in the minds of its viewers. That’s probably why the hot women are there, to help cover up the quickly aged jokes and situations. Then again, many of us have cable modems at this point and can see much more than what this show gives us for free.

So there really isn’t a lot of substance in Secret Girlfriend. In fact, Secret Girlfriend makes me frustrated in many ways. For example, I am not handsome and I am not charming and, in fact, most women find me kind of creepy (“Mua ha ha ha ha” seems to be a bad pick-up line). It really ticks me off seeing guys like the guy you’re supposed to be in the show, who have no job, loser friends, and no life, chasing every piece of tail they see and succeeding. Especially since I know guys like that in real life. I don’t want to see that on my TV!

Also, none of my neighbors practice yoga. And if they do, I sure don’t want to see it because I am surrounded by geriatrics in my neighborhood. They’re sweet people, but there isn’t a single, hot, 20-year-old in spandex among them. And don’t even get me started on the hot chick who just wants to hang around, eat pizza, and play GTA 4.

Since I believe most guys fall in-between the “playa” you are in this show and my own relationship-challenged category, I don’t see a lot of guys being able to relate at all to the character we are supposed to be in this show.

I see a lot of guys turning Secret Girlfriend off and heading over to their broadband PCs for their hot chick fix. The jokes will get tired very quickly and the insane situations the characters find themselves in will run out faster than the writers can come up with them and so my official prediction is that I don’t see Secret Girlfriend lasting more than a season or two.

New episodes of Secret Girlfriend can be seen (for now) every Wednesday night at 10:30 PM, right after South Park, on Comedy Central.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

With now well over 400 cars featured in the game from over 50 different manufactures, you would think “options” is what Forza means (it really stands for “power” in Italian and that makes more sense, I think). Each and every car is also completely customizable from interior designs and colors to rims to the air pressure in your tires.

You think it’s great to drive a lot of cars? Well, how about driving them on 100 different race tracks from all over the world from Sebring to Nürburgring and even the Circuit de la Sarthe, which is used for the world-famous Le Mans 24 hour race. Yeah…options.

So far, I’ve thrown out a lot of numbers. Impressive numbers, but still, just numbers. Let’s talk about looks. The cars are built with 10 times the amount of polygons from the last installation of Forza and that has allowed for more finely detailed visible damage to your car from scratched paint all the way to tire wear over the course of a race. You can almost see the flies splatter across your windshield this game looks so good.

Speaking of damage, how about the fact that a brand new physics engine now might make you think twice about trying to smack an opponent out of your way as you might just flip your own car over and take yourself out of the race (I know, I’ve done it. It is fun for like three seconds until you realize you’ve definitely lost the race now).

Of course, a severely improved A.I. could make contact all but impossible as your opponents react to your actions like real drivers now. Some cars might try to floor it to put some distance between you if you act aggressive while others might just let you pass in the hopes your righteous fury will just glide by them (I only know how to drive aggressive so I’ve only seen the A.I. act to my anger fueled actions). The A.I. might try to pull the same tricks on you, though, if you’re not careful, by bumping you in turns or veering back and forth to prevent you from cleanly passing.

Along with the classic racing game modes like vs., time trials, and online vs., there is also the inclusion of a brand new single-player season mode that insures that no player will have the same racing experience as you play through six years in the life of a driver as you try to win races with a plethora of cars in various classes. From one-on-one heats, to drift events, to drag, to circuit races, each calendar has more than 200 events on it and will test every aspect of your skills as a driver.

This sounds like a gearhead’s dream for sure. But what if you are a more casual racing gamer? What if you don’t know how to tune your car or when to brake going into a turn? The fine folks at Turn 10 took that into consideration. There are a bevy of options that can be tuned to your liking depending on your ability and even an automatic “Quick Upgrade” feature that will tune your car to its maximum ability without you having to look through valves and fuses trying to figure out which ones will be the best for your car. You can ease up the opponent’s A.I., you can lessen the wear and tear on your car during a race, and you can even turn on the one-button auto-brake assists or you can paint a line on the track telling you where to turn and how fast you should be going. All of these are great for beginning racing gamers as you attempt to not only learn the tracks, but improve your skills over time.

The ultimate assist though is probably the best. Similar to the “flashback” feature from Grid, Forza Motorsport 3 has no limits to the amount of times it’s “rewind” feature can be used in a single-player race as it allows you to stop play and go back in time instantaneously to re-do a poor turn or maybe getting spun out by an opponent’s car. The “rewind” feature is so extensive, that the opponent might even rethink how they go into a turn.

While playing, I specifically remember two cars colliding on a hairpin turn that caused a pileup that ended up taking me and several other cars out. I rewound the accident and, on the very next try, the cars avoided each other and the race continued. I didn’t have to worry about restarting the entire race or trying to comeback from a ridiculous deficit because of a mistake the computer made and that makes playing this game so much more enjoyable.

With all the compliments I am paying the game, mind you, there are flaws. Firstly, the soundtrack is beyond limited and you might just turn the music off after a while because by the second year of your single-player career, every song has been played to death.

Another problem is that once you have a solid lead in a race, even on the hardest difficulty level, the A.I., although great in many other aspects, has trouble making a play back on your position if it falls too far behind. This means that a lot of races that might be five or six laps, could be over by the third or fourth a lot of times if you can make the right moves. Also, since in many series you’ll face the same cars, the cars do not make adjustments between races like you can and you’ll often be competing with the same two or three cars while the other four or five will simply fall out of contention. The A.I. is very good, but it still has its drawbacks.

These small complaints aside, this is still probably the best racing game out there because hands-down it is the most fun to play. It has successfully removed all the frustrations for those rookie racers out there while having enough options to keep the hardcore of the hardcore more than happy. Forza Motorsport 3 is available for the Xbox 360 on October 27th, 2009.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 9.5: From skid marks staying new and fresh throughout the entire race to bumpers flying off in high speed collisions, this game looks gorgeous. Maybe if rims and side-mirrors started flying off in collisions, too, it would be completely perfect looking.

Audio 8.0: The soundtrack gets tired quickly and is really the only audio complaint I could find. The hum of the engines and how they vary from tune-up to tune-up is impressive.

Plot/Plot Development: N/A: It’s a simulation and therefore really doesn’t have a plot…

Gameplay: 8.5: The A.I. is light years ahead of the competition in many aspects, but does seem simple if you can pull out to a big lead.

Replay Value: 8.5: With 200 events per single-player calendar and online and offline vs. and time-trial modes and the Forza community will be happy for a long time with this installment. The only problem is that the single-player campaign can become repetitive after a while with only so many tracks and opponent strategies, making for a more simple racing experience.

Overall (not an average): 9.0: Easily the most fun racing game I’ve ever played, it still isn’t quite perfect. More audio tracks would be nice and the A.I. has lapses at times, but this is still probably the best racing game out there. Now, we just have to wait for all the track and car DLC that is sure to be coming.

Ray Carsillo’s Geek Stuff is our source for all things video game and comic book related. Ray is a geek.

Being a die-hard AC/DC fan myself, it wasn’t a stretch for me to agree with Anthony’s assessment. After reading the book, I invited him to come by the 1050 studios to talk about what made him want to write Why AC/DC Matters and what he thinks the future may hold for the greatest rock band of all-time.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

With numerous TV, big screen, and broadway credits to his name, Ernie Hudson is easily one of Hollywood’s most recognizable personalities. His ability to portray a gamut of emotions has earned him the chance to play a wide range of characters over his career.

His most recent character is Captain Lubbock on NBC’s Heroes, every Monday night at 8pm, as he tries to chase down Sylar and attempt to wrap his head around the concept of a world full of super powered beings at the same time.

Possibly his most famous character though is as Winston Zeddemore from Ghostbusters I, II, and Ghostbusters: The Video Game.

I had a chance to talk with the veteran actor about everything ranging from his favorite type of role to play to possibly nailing down some solid details about a third Ghostbuster movie.

CLICK HERE – to listen to my conversation with veteran actor Ernie Hudson.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Many people know that I’m a sports fan, and being a video game fan, I love all sports video games as well. In that vein, I’m providing you fine folks with a double shot of sports games with reviews for both NHL 10 and NBA LIVE 10, both from EA Sports.

We will begin with NBA LIVE 10 since there were a lot of questions coming into this season for this game. Usually, the best way to answer questions about a game is to go to the source. I had a chance to speak with NBA LIVE 10 Lead Producer Sean O’ Brien, Dynamic Season feature producer Garreth Reeder, and Lead Gameplay Designer Mike Wang about all the new features in this year’s game and improvements over last year’s version considering the entire game was rebuilt from scratch.

CLICK HERE – to listen to my interview with NBA LIVE 10 Producers Sean O’ Brien and Garreth Reeder and Gameplay Designer Mike Wang.

Since I didn’t have the time to wait for basketball season to actually start, I’m going to have to take Garreth’s word on it, but it sounds phenomenal. From what I did play in Dynasty Mode, I can say that this is the premiere basketball game out there right now and this game model, closer to what the NHL series has used the past few years, is the top of the line format for sports games.

The only knocks I have against the game is that the graphics aren’t as sharp as I would like, especially when you look at other sports games from EA Sports like Madden and NHL, and the A.I. isn’t that great for your teammates. I know I put myself at a natural disadvantage by playing with the Knicks, but when there are lanes to the basket and I am looking for guys to pass to, instead of running up those lanes, my A.I. controlled guys run to the corner or right into a double team. Very frustrating, but that’s the life of a Knicks fan, I suppose.

From what I’ve seen and heard, NBA LIVE 10 is the must have basketball game of the season.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 8.0: The looks of the game are average. Maybe the Dynamic Season takes up a lot of space on the disc so the graphics aren’t as sharp as they could be, but not the most best looking game from EA Sports.

Audio 10.0: The soundtrack of the game gets your blood pumping, and authentic cheers and boos from the Garden crowd (more boos than cheers considering the Knicks’ performance the past couple of years) are awesome. Add in Marv Albert and Steve Kerr providing authentic play-by-play and color commentary and the sound cannot get any better.

Plot/Plot Development: N/A: It’s a sports sim…

Gameplay: 8.0: Garreth might be looking for a perfect score, but the A.I. could use a little more tweaking before I give this a perfect score. No lag though, a great free throw system, and basketball as authentic as it can get on a video game console still gives this a good score.

Replay Value: 10.0: If you love basketball, the Dynamic Season and Dynasty modes will keep you happy throughout the entire season and keep you playing this game for a long time.

Overall (not an average): 8.0: With the addition of Dynamic Season and the rebuilding of the game engine from the ground up, this game is just scratching the tip of its potential. It needs a little further tweaking, but this is ready to be the premiere NBA gaming franchise, starting right now.

From the hardwood we move to the ice as we look at NHL 10. Considering how in-depth NHL 09 was and how many awards it took away last year for it, all EA Sports had to do was make minor tweaks to improve on their already dominate product.

The graphics are even sharper than last year and the way the ice gets worn down as the game progresses is a beautiful thing to see.

The sound is authentic to the point that “Henrik! Henrik!” chants rise up from the Garden whenever the King makes a spectacular save and Gary Thorne and Bill Clement’s commentary are always spot on.

The most impressive thing is that the gameplay and A.I. is even sharper than last year. The puck movement and passing is more realistic and accurate than ever before and the defense reacts like a real team. If a defenseman gets beat for a breakaway, he might try to catch up now for the back check and dive and flail with his stick to try to knock the puck away.

Add in the return of all your favorite features like Dynasty Mode and Be a Pro and the inclusion of first person fist fights now and this is the greatest hockey game of all time.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 10.0: I don’t know how this game could look any better than it does. From the real-time degrading of the ice to movement of the players’ jerseys and this game is gorgeous.

Audio 10.0: The soundtrack of the game is an awesome array as always from EA Sports and Bill Clement and Gary Thorne doing an authentic feeling broadcast makes you want to jump up and shout like you’re in the Garden cheering along with a capacity crowd.

Plot/Plot Development: N/A: It’s a sports sim…

Gameplay: 10.0: The best A.I. system to date combined with the best puck physics I have ever witnessed makes this game as smooth and flawless as if you were watching a game on TV.

Replay Value: 10.0: If you love hockey, there is no reason for you not to immerse yourself in the returning Dynasty or Be a Pro modes.

Overall (not an average): 10.0: What can I say? As a diehard hockey fan, I just can’t find a flaw with this game. If you love hockey, you NEED this game.

So there is your double dose of winter sports. Both of these games are sure winners if you are a fan of these sports.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

South Park Let’s Go Tower Defense Play! takes this hugely popular franchise and sticks it in a tower defense game (hence the title). What is amazing is that South Park’s cast of characters makes this straightforward, lackluster genre somewhat fun.

The basic plot is that a mysterious force is sending some of the boys’ most nefarious foes from the past towards the heart of South Park in order to destroy the town once and for all! Homeless people, terrorists, ginger kids, demons, and old people just scratch the surface of the mindless hordes bent on destroying South Park as the boys must set up specially designed towers ranging from fast pitch baseball machines to magnifying glass powered lasers to cherry bomb launchers and fireworks to repel the invading forces over 11 levels from all over South Park and the surrounding area.

Cut scenes between each level help forward the plot (done in the style from the forever classic episode “Good Times With Weapons”) as the boys desperately try to unravel the mystery of who has brought together all of these clearly evil forces (I’m focusing in on you old people!) bent on destroying their peaceful little town and the end revelation will shock you into hysterics.

The best part of the game though is the scrapbook (inspired by the “Cartman Sucks” episode) in which you not only collect images of the foes you defeat along the way, but unlock over 80 original clips from the show highlighting the first appearances of these infamous villains ranging all the way back to Season 1.

Being downloadable content, don’t expect the graphics to be crystal clear, but considering the animation style of South Park, it is more than forgivable. The audio though is top notch with the entire voice cast coming on to do voices and record thousands of original lines for this game.

The game is not perfect though, as the gameplay is a little glitchy. I found it difficult for my characters to run around a lot of times without freezing a little and it was difficult to select which specific tower I wanted to build many times. Add in that it would have been so much easier to set the boys to the four directions of the d-pad instead of constantly having to rotate through them with the right bumper.

The bottom line is that if you are a fan of South Park, you are going to want this game because it is hysterical, but I don’t see it appealing to people otherwise. There are four difficulties to the game and they threw in five challenge maps for when you beat the 8-10 hour campaign, but aside from that there isn’t a lot to bring you back to this except for a couple of classic laughs you might want to replay.

South Park Let’s Go Tower Defense Play! is an Xbox Live exclusive, available tonight (which just so happens to coincide with the new season premiere) for 800 Microsoft Points (roughly $10) and considering the content you get, the price is well worth it if you are a South Park fan.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 8.0: You might download this and gawk at the high graphics score I gave it, but you have to take into consideration the style of animation that South Park is done in, so the game’s actual graphics are close to watching the actual cartoon and the cut scenes, although done in the old school comic book panel by panel style, look awesome.

Audio: 9.0: The game opens with the theme song and the entire cast came on board to voice over thousands of lines of dialogue so I can’t give the audio a poor score. Generic SFX and background music in the levels though docks the overall score a point.

Plot/Plot Development: 9.0: Fans of the show will already be familiar with the surroundings and characters so since this is clearly marketed to the already established fan base (myself included) there wasn’t a need to go into background details. The game starts off like an episode of the sitcom and continues over the course of the day. The mystery is developed well through the cut scenes and the surprise ending fit perfectly into what South Park is all about.

Gameplay: 6.0: Passable, but barely. The gameplay is a bit glitchy and I thought the switching between characters and selecting towers tool was difficult to use at best. The whole game, even with the challenge maps, is probably about 12 hours overall and doesn’t get more straightforward than build towers, delay and kill enemies, don’t die yourself.

Replay Value: 5.0: It is nice that you can do online co-op and play with lots of characters like Jimmy or Pip if you get tired of the boys, but there just isn’t enough here that appeals to me to play through the campaign mode repeatedly on different difficulties to try to unlock all the various clips of episodes I’ve already seen countless times.

Overall (not an average): 8.0: If you love South Park, you will love this game because there is just enough polish to make you try to work through the entire campaign. If you don’t like South Park, then you are going to want to avoid this game, but who doesn’t like South Park? This game is sweeeeeeet. Time for Cheesy Poofs!

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

The best part of MUA was that it left itself wide open for a sequel involving Galactus, maybe the Silver Surfer, and an even larger array of heroes that encompassed the whole of the Marvel Universe.

But when MUA 2 came out, instead, it looked like the folks at Activision and Vicarious Visions who took over this series of games got lazy and didn’t feel like coming up with an entirely new script again. They took two of the biggest Marvel story arcs in recent history with Nick Fury’s Secret War and the Superhero Civil War and changed the ending so that if they ever decide to be original again, then they can.

Incase you are unfamiliar with these plots I will give you a quick summary: basically Fury’s War was a private attack on Dr. Doom’s Latveria (in this case after the events of MUA 1) as the new governess was also a weapons trafficker and designer. The Civil War pitted hero against hero as the government tried to make superheroes reveal their secret identities by registering with the government to make them liable for collateral damage after the New Warriors underestimated a group of villains in Stamford, CT, and 612 people were killed in the ensuing battle.

I’ll give credit where it is due in that Activision and Vicarious Visions stayed as true to the original comic arcs as they could before trying to get cute in bringing everyone together, but considering they had a plot for a sequel already lined up, it boggles my mind that they would put it on the backburner for something that die-hards spent far too long reading about to begin with.

Aside from my frustrations over the lack of a truly original plot though, this game is just as good as the first MUA in every other aspect. The cut scenes look beautiful and the voice acting is top-notch although I could’ve had a few more lines recorded for each character during the actual gameplay (how many times can you hear “HULK SMASH ALL THERE IS!” before it becomes tiresome?).

The gameplay is everything you would expect from an action RPG with some characters being much better than others and the new Fusion feature makes for some awesome team up moves like the classic “Fastball Special”. Since Colossus isn’t a playable character though, the Hulk, Thing, or Juggernaut (GameStop pre-orders only) stand-in for Wolverine’s X-men tin can teammate. There are a few minor glitches with your characters or enemies sometimes becoming trapped in corners and force you to switch characters to get them out, but aside from that, the game is relatively smooth.

The replay value is also very strong for the game because the only way to unlock everything would be to play through at least twice, once pro-registration and once anti-registration. Of course, the course you choose also affects the characters you can play with. Anyone familiar with the story arcs shouldn’t be surprised that only by choosing anti-registration can they get Luke Cage, Captain America, and Iron Fist and that only by choosing pro-registration can they get Iron Man, Songbird, and Mr. Fantastic.

Of course, once you beat the game one time through, you can play the second time through with any of the 25 playable characters as well as unlock the hardest difficulty. The best team to do that in the least amount of time would be Wolverine, Deadpool, Hulk, and Iron Fist. I don’t know why Iron Fist is as strong as he is, but he’s one of the best characters in the game because he can heal your entire team and Wolverine and Deadpool have healing factors, which makes the trio nearly impossible to kill. And then there is the Hulk (only available at the beginning if you get the game from Best Buy) and like I said before: HULK SMASH ALL THERE IS. Enough said.

In the end, anyone who is a comics fan and followed these story arcs should get this game because it is awesome to see the comics come to life and to see the various personalities of the Marvel Universe mix and mingle on your TV. I’m looking forward to MUA 3 even more now because I still want to see Galactus!

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 8.0: This gets a slightly better than average score because the cut scenes are awesome, but the regular gameplay graphics are okay at best because of having so many enemies on screen at one time to prevent lag. Typical of these games, but I still have to call them on it.

Audio: 9.0: Great voice acting mixed in with great sound effects make this a strong score, but the music was generic for the most part. The MUA 2 theme for the game was really good though so the audio gets a great score overall.

Plot/Plot Development: 6.5: MUA 2 gets a barely passing score on plot because two-thirds of the game isn’t original whatsoever. They then made up an ending that was so far from the comics it is ridiculous, just to bring everyone together so that they can make a third game with a plot they hinted at in the first game should the opportunity present itself. It passes though because at least they stayed relatively true to the parts they did steal straight from the comics.

Gameplay: 7.0: This game is a button masher, plain and simple. You press the same couple of buttons to attack and occasionally team up with your pals to do it, but overall there isn’t a lot of depth to the gameplay. Add in a couple of glitches and it is okay at best.

Replay Value: 10.0: Needing to play through the game twice to unlock everyone and everything, along with 4 play online co-op and more collectibles than I can remember and there is a lot to bring you back to this game. It will take you probably 25-30 hours to find everything in the game if you play through it twice.

Overall (not an average): 7.5: Even though it isn’t the prettiest game, or the most original, the game is still good. Not great and definitely not ground-breaking, but if you are a fan of the Marvel universe, you will definitely enjoy this game. Add in some great surprises at the end and you will walk away with a smile on your face.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

After the One More Day Spider-Man story arc, my frustration with Marvel and their treatment of the web head had reached an all-time high. One of the sloppiest re-launches in history had just occurred with Spidey (more like a lobotomy) and almost everything my generation had known and loved about Spider-Man was flushed down the drain along with the fact that Marvel had painted themselves into a corner…again.

Instead of letting the old crone that is Aunt May just die, especially after a séance with Madame Web confirming that Aunt May was at peace, and having Spider-Man take Mary Jane into hiding just like Luke Cage did with Jessica Jones, they have Spidey sell his marriage to Mephisto in order to push the reset button. Every “mistake” that Peter Parker ever made was changed and about 400 issues of continuity were erased.

It was at this instance that I boycotted everything having to do with Spider-Man (except New Avengers, but if Jessica Jones mentions one more time she had a crush on Peter Parker in high school, that is being added to my boycott list as well). I wouldn’t even play as him in Marvel: Ultimate Alliance 2 except in the beginning when you have to. I accepted that my favorite Marvel character was dead to me and that maybe it was time I grew up a little and cut down my weekly comics list.

Now, since I’ve boycotted everything past the first couple of issues of the re-launch (they made Mary Jane a superhero for cryin’ out loud!) I don’t know if anything has been resolved because I haven’t read anything, but a small part of me died, much like the small part of Peter Parker that forever knows his greatest mistake was giving up his love for MJ.

My two favorite super-heroes during my early years, like many people in my generation, were Batman and Spider-Man. I believe many people love these characters because of their humanity. Batman in more literal terms, Spider-Man in more figurative terms because even though he had super powers, the gamut of emotions and struggles he had to deal with hit close to home for many of us.

I like to believe they also gave us the most hope. Batman helped us believe there was always a way out of every bad situation as long as you properly prepared yourself. Spider-Man gave us hope because even through all his pain and torment, he still found true love and also found ways to persevere.

This re-launch destroyed Spider-Man in such a way that I can’t look at him anymore without feeling hate in my heart because I can’t relate to a reset button no matter how hard I try.

With that rant out of the way, I go back to why this seething anger and hatred resurfaced months after the initial offense and ensuing boycott. While at the comic store, I noticed on the shelf the first issue of a six issue miniseries. It was the start of how Spider-Man’s infamous Clone Saga SHOULD have played out and it opened with a one page, heartfelt apology from the folks behind it.

I nearly ripped the issue to shreds on the spot, but, for once, a cooler head prevailed and I placed it back on the shelf with no incident.

In my life, the Clone Saga was the first destruction of Spider-Man. At the time though, it was a more forgivable sin for me because I was a small lad and my knowledge of Spider-Man comics was limited to what had inspired me to read Spidey’s comics, the Maximum Carnage arc (which is still the best Spider-Man arc I ever read).

The thing that fueled the anger was the fact that 20 years after the disastrously drawn out plotline, Marvel admitted, in print, to one of their greatest mistakes. As a fan, it was like a slap in the face. An apology will not fix the two years of wasted paper and ink that the Clone Saga caused nor will it bring back any of the characters who were bumped off after the fan base started warming up to them (unless this most recent re-launch decides to do it all over again so this way Marvel can really stomp on our hearts).

I don’t understand why Marvel feels it necessary to try to vindicate their mistakes by pressing the panic button whenever there is some negative backlash for their risk taking. I REALLY don’t understand why they keep bringing these mistakes back up years after they have been forgiven in the collective consciousness only to re-open long since healed scars. All I know is I miss Spider-Man. I miss the REAL Spider-Man. The Spider-Man that I grew up with, that was married to Mary Jane, had to team-up with Venom every now and then to take on Carnage, and could still make some sweet wise-cracks. Get me Tom DeFalco RIGHT NOW!

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

WET follows around the most brutal Fixer to have ever stepped into cowboy boots, Rubi Malone. A Fixer is a nice description of what Rubi does in between whiskey shots and heavy weapons training. Rubi cleans up some of life’s most screwed up situations, usually in the crime underworld, with a trail of death, destruction, and misery in her wake. “Wet” is also a nice way to describe the blood on her hands.

We open up finding Rubi tasked with procuring a heart on the black market for an emergency transplant of a drug crime lord, but some small time hood has beaten her to her quarry. We are immediately immersed in Rubi’s world as she dives, slides, and runs up walls, all the while firing her patented dual pistols in the always awesome bullet time. The bullet time is critical because it allows us to aim Rubi’s pistols independently of each other, one automatically locking onto her nearest threat’s gut, the other free to wander around to other threats, or possibly the primary threat’s cranium for a quicker kill. Not to mention it’s just damn cool.

Some situations don’t always call for pistols though, especially in cramped quarters. With a quick tap of the X button, Rubi can hop out of bullet time and switch into a close-quarter she-devil as she slices limbs off with unbridled prejudice with her katana. This fighting flexibility is the staple of the gameplay and only by mastering it and recognizing what weapons work best where can Rubi progress through the game’s 12 stages.

As the game progresses, Rubi also unlocks a shotgun, SMG, and crossbow with explosive bolts, adding to the controlled mayhem that Rubi finds herself in throughout the game.

The action is there and is addictive and diverse enough, with Rubi randomly being thrown into a rage when she gets splashed with blood like she was Carrie or having to mow down hordes of enemies in an arena setting, to keep you glued to the game. That isn’t to say this game is without fault. In terms of gameplay, there are a lot of glitches. Walking through walls or falling through floors at certain points are old-school glitches that you just shouldn’t see anymore. Not to mention the game freezing later on during load-screens making you restart the game and probably the most anti-climatic final boss battle in all of gaming with a push-button prompt sequence (X flashes on screen, you press X; Y flashes on screen, you press Y, etc.) against the final two foes.

This said the plot is also a little thin. Although left open for a sequel in that cheesy, 1960s drive-thru, B-movie way (complete with commercials to remind you to buy food from the lobby; hysterical) that seemed to be the theme of the game, there was no real establishment of the characters, especially Rubi and her crew, and the plot itself just seemed to progress too quickly for my taste. There may have been 12 levels, but some of them were completely done in the rail-shooter style, which is a nice changeup from the regular gameplay, but that meant there were only nine levels of Rubi’s patented “monkey business” (a running gag for the game is Rubi’s acrobatics have her compared to a chimp on many occasions by some of the more unsavory characters and it also leads to toy monkey collectibles on each level).

In terms of graphics, the game is probably slightly above average. The blood effects weren’t the best and the grainy film effect added to much of the game to help cover this us was nice, but I would have rather of had a perfectly crisp, clean experience instead of gimmicks to cover it up.
The audio is something this game really shines in. Easily the best original soundtrack I’ve heard in a long time with original music from some up and coming bands on MySpace and some great voice acting from Eliza Dushku as Rubi, Malcolm McDowell as Rupert Pelham, and Alan Cumming as Sorrell and “Ze Kollector”.

At the end of the day, this is a really solid game. I’m on the fence about saying if it is a straight up buy due to the glitchy gameplay and thin plot, but when you add in collectibles throughout the levels, a high score mode, instant kill mode, and challenges galore unlocked after you beat the game for the first time, and I would say this is probably a solid investment if you play it to its max considering one play through will take you 10-15 hours by itself.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 8.0: The grainy film effect was nice, but a clear attempt to cover up the generic looking backgrounds and average blood effects. Rubi looked very nice though.

Audio: 10.0: An awesome, blood pumping, original soundtrack that fit the game perfectly mixed with awesome sound effects and great voice acting from big stars like Eliza Dushku, Malcolm McDowell, and Alan Cumming and this is a wonderful listening experience.

Plot/Plot Development: 6.0: The plot felt a little thin and a little rushed, but the basics were there. I would’ve liked a little more character development though, especially with our heroine.

Gameplay: 7.0: The bullet time was flawless and it needed to be considering 80% of the game takes place in slow-mo as you try to pour bullets into various lowlifes. There were still a few very basic glitches with the environment though and freezing during load screens later in the game was beyond frustrating.

Replay Value: 9.0: I don’t know how they could have worked a multiplayer into this game, but there isn’t one. Aside from that, there is a lot to bring you back to the story mode including several new modes of play after the first play through and the toy monkey collectibles.

Overall (not an average): 7.5: The glitchy gameplay takes away from the great action concept that is WET. A lot to bring you back to this title, awesome bullet time effects, funny dialogue, and awesome music makes this a solid, but not spectacular gaming experience. Probably worth a buy though.

WET is available now.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Now that TMNT: Smash Up is officially available; I want to take this time to analyze the first original TMNT game for this current generation of consoles. The basic plot of the game is that Master Splinter wants to hold a special ninjitsu tournament to see how far the turtles have progressed in their training. The prize would be any of the items of Splinter’s trophy room. Of course, there is a catch. Splinter, Casey Jones, and April O’ Neill are all going to be participating as well.

As the tournament progresses and a winner is about to crowned, the Turtles receive an emergency call from their old friend the Fugitoid saying he has been captured by Shredder. This is where you take over and progress through various fights before facing down Shredder and some Foot Soldiers.

The plot is simple, as it should be for a fighting game. No one besides Shredder should be the final boss and the fighting mechanics are great. Ubisoft took the same fighting engine that was used in the Super Smash Bros. series so you can have four-player grudge matches and the game flows very smoothly. The game looks beautiful with some awesome settings and great interactivity in the levels.

There are still a few things nagging at me though being a die-hard TMNT fan. First, the generic background music irritates me to no end. Can we PLEASE bring back the 80s theme? There wasn’t even the new cartoon theme. I’ll even take the “Go Ninja Go” rap from Vanilla Ice at this point.

That isn’t my biggest gripe though. My biggest gripe is that after being promised tons of characters, the list was suddenly shortened just before the release and instead of having hidden TMNT characters Ubisoft thought it would be a good idea to have three Raving Rabbids based on TMNT as hidden playable characters. WHAT?!

No Bebop, Rocksteady, Krang (although they might try to pull off the Utrominator as an upgraded Krang without calling him that), Leatherhead, Baxter Stockman, Rat King, General Kragg, Wingnut, Ace Duck, Usagi Yojimbo, Tokka, Rahzar, Slash, OR ANY OTHER BIG CHARACTERS WE CARE ABOUT! Instead, we got the Turtles, Shredder, Splinter, Karai, April, Casey and…that’s pretty much it. There were more stages than there were playable characters.

The most important thing about a fighting game after the fighting system itself is the roster of characters and TMNT: Smash Up sorely disappoints on this front. The majority of TMNT fans are still those of us who grew up on it and not catering to us is always a bad idea. I was really surprised with this considering the great job Ubisoft did when revamping Turtles in Time, but this really depressed me as a hardcore fan. Instead of trying to use this game to promote another franchise, Ubisoft should have concentrated on making this as good a game as possible.

Ratings are based on a score of 1 to 10 with 10 being the best.

Graphics: 8.5: For the most part the game did look beautiful. Some of the settings were a little darker than I liked and when some of the large maps zoomed out to show all the characters on screen, it was hard to tell where everyone was, but for the graphics were mostly crisp.

Audio: 5.0: The generic background music irritated me and made me long for the good old days with the 80s theme song. The SFX were average and the voice acting was solid using the newest cartoon’s voice actors, but they didn’t record a lot of lines so they repeat themselves frequently.

Plot/Plot Development: 7.0: The plot is not usually the strongest point for a fighting game. All you need is a reason to bring a lot of people together to duke it out and this game does that.

Gameplay: 8.0: The fighting mechanics are very good and all the characters have unique combos and special moves to fit their styles. Add in special Ninpo items like daggers, smoke bombs, and some mystical items that randomly appear on screen and you’ll have a solid fighting game experience.

Replay Value: 5.0: An arcade mode, survival mode, and mission mode all make the game worthy of playing, including a nice amount of unlockables, but with none of those unlockables being characters from the TMNT universe, I have to dock this score a lot.

Overall (not an average): 4.0: This game reminds me of the original Smash Bros. for N64 and if this was two generations ago, this would be a great game. Unfortunately, it’s not, so this game is not nearly as good as what we’ve come to expect from fighting games. A lackluster roster takes a lot away from the game and severely hurts the game’s replay value because there are only a few characters to go through the game with. The engine is great and that is the number one aspect for a fighting game, but everything after that falls flat on its face and any TMNT fan will be disappointed at the very least, if not furious, over this game. A more casual fan might want to rent this just to take a look, but probably not.

TMNT: Smash-Up is available now for the Nintendo Wii.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

With the exploits of Master Chief well documented in the intergalactic struggle against the Covenant, many people forget that this war is fought on many different fronts and has been ongoing for decades.

One of the newest battlefronts is Earth, the last great human stronghold, and recently discovered by the Covenant. So while Master Chief is on the other side of the universe, the war is still going on and has finally hit home.

This is where the ODSTs come in. Labeled for their preferred form of being dropped into battle from their space cruisers, the Orbital Drop Shock Troopers are the best of the best (aside from Master Chief, of course).

Taking place during the time between Halo 2 and Halo 3, Halo 3: ODST (labeled such due to the game using the Halo 3 engine and the inclusion of the Halo 3 multiplayer as well) follows the story of a squad of ODSTs as they race against the Covenant for an artifact in the city of New Mombasa in the East African province (Kenya in real world terms, I believe).

Your main character is simply know as “The Rookie” as you are introduced to the rest of your squad in the opening cinema before you drop into battle. When you arrive the Covenant assault is well under way. After launching from your cruiser to counterattack, a Covenant drop ship warps in and the ensuing shockwave scatters your squad throughout the region. After waking up about 6 hours after crash landing in New Mombasa, how you view Halo is forever changed.

There is still your typical run and gun first-person shooter mayhem and plenty of opportunities for it, but there is also a tremendous new detective and suspense element added to the game. As the Rookie, you befriend an A.I. program called “The Superintendent”. Simpler than Cortana for you Halo vets, the Superintendent still is critical in your mission as he helps tell you the story of how New Mombasa fell and point you in the right direction as he uses street signs, car alarms, ATMs, and other civic devices it can control to steer your path.

After befriending the Superintendent, you put your detective skills (and some sweet night vision goggles) to use as you search New Mombasa for clues to the whereabouts of your squad mates. As you find more items belonging to your mates, from your Captain’s helmet to your sniper’s rifle, you begin to piece together what happened when you got knocked out, all the while exploring Bungie’s largest sandbox environment to date.

The most exciting new aspect of this game comes when you find each item because you actually get to see through the eyes of your other squad mates to see how the items came to be in the condition they’re in and to see the battle unfold. This ensures that you will play as every member of your squad at some point to experience how it feels to be a sniper, a demolitions expert, a heavy gunner, etc. and to see how the full story of the New Mombasa post-invasion unfolds.

With that said, there is also plenty of your old favorite activities returning like hijacking Covenant Banshee or Ghost ships or hopping onto the turret of a UNSC Warthog. There are also randomly generated fights against the whole spectrum of Covenant foes as well as all your favorite weapons being available again from sticky grenades to swiping a downed foe’s Needler.

I will admit to not being obsessed about the Halo series as much as many other people, but I could not put this game down. It only took me about 10 hours to beat the campaign mode, but the time flew by and I was left wanting more.

The graphics are beyond beautiful and the music helps set up an almost film noir, classic detective story kind of feel that you just don’t see nowadays, especially in a futuristic game like Halo.

There isn’t a lot to bring you back to the campaign aside from the Superintendent audio logs, but the new Firefight mode, similar to the Gears of War Horde mode, with endless waves of enemies as you try to improve your score and the included Halo 3 multiplayer will keep most Halo fans happy for a long time to come.

In the end, my only complaint about this game was that it ended too soon for me. Although 10 hours of gameplay is about the norm for most games nowadays, I just didn’t want it to end. I wish I had 20 ODSTs in my squad and that I was still searching for more of their items. This is a must have for any Halo or first-person shooter fan.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 10.0: I don’t know how they could make this game look more gorgeous. The graphics really helped stress the mystery the game was trying to go for and were spectacular.

Audio: 10.0: The music might set the mood even better than the look of post-invasion New Mombasa. When music can help draw emotion from the player, it has succeeded and this soundtrack does that. Add in the typically strong SFX and great voice acting from all those involved and I can’t dock any points for this.

Plot/Plot Development: 10.0: The plot fits in perfectly with the Halo canon and the way the game leads you along through the different areas of New Mombasa as you search for your squad mates and try to unravel the sub-plots of the New Mombasa invasion makes this one of the more engrossing games I’ve played in a while.

Gameplay: 9.0: The game is glitchless. The controls are relatively natural, but I had some difficulty driving several of the vehicles you get to control at separate points throughout the levels and they felt a lot less natural than when you are on foot.

Replay Value: 7.5: Not wanting to take away from the Halo 3 community, ODST doesn’t support its own original multiplayer and the Firefight mode is really just Horde mode from Gears with a Halo twist. Add in a minimum of collectibles for campaign mode and you have to figure that Halo fans will still be thrilled about this, but more casual fans will probably see this as a one and done.

Overall (not an average): 9.5: Minor complaints aside, this is one of the best games I’ve played in recent memory. I’m starting to form my game of the year predictions and this has to be in the conversation. The story was brilliantly done and the peripherals are perfect. I wanted a little more in terms of replay value, but overall this game is top of the line.

Halo 3: ODST is available now for Xbox 360.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Here is my interview with Amrtiz Lay, Global Product Manager for Xbox 360, and an exclusive look at one of the year’s hottest racing games.

Be sure to stay tuned for my full review of Forza Motorsport 3 next month.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

The reason why the game is called Section 8 is because you play as a special brand of marines several hundred years in the future. These super soldiers are the first ones in and the last ones out of any situation (like modern marines), but the squad is known as “Section 8″ due to their disregard for their own well being. Oh, one other minor detail: they are rocketed out of ships hovering several miles above planets at the speed of sound and usually crash land into the terrain without pulling their parachutes. “Section 8″ makes a little more sense now, eh?

Of course, several hundreds years in the future, their body armor protects them from such punishing collisions, but these guys wouldn’t be deployed if there weren’t some dangerous situations to deal with once they get planet-side and the armor and personal shields can’t stop every bullet or energy blast.

Along with the awesome effect of starting out every level and multiplayer spawn with being shot like a bullet into the battle, you can choose up to six different weapon configurations or customize your own if the six provided don’t float your boat.

The interesting thing with this game is that it focuses on the multiplayer aspects and the campaign mode was more a secondary feature. If you’re looking for a single player campaign along the lines of Halo or Gears of War, you will be sorely disappointed. This game is all about the interaction with other people and changing strategies on the fly in between spawns, whether playing alone or in multiplayer.

The campaign mode does give you a little depth to the situation that the “Section 8″ squad finds themselves in and who you are fighting against, but it shouldn’t take you more than a couple of hours to blow through the campaign as it is really nothing more than a warm-up or glorified practice mode before you get into the multiplayer.

With up to 32 players on the battlefield at once, the multiplayer impresses without a hint of lag as you work to hack enemy consoles, assassinate enemy generals, and set up mobile bases and call in tanks for support against all possible foes. With a constantly changing battlefield and missions for bonus points popping up at random, the multiplayer will keep you entertained for a long while as no situation is ever the same twice.

Of course, supporting such a large multiplayer means that a lot of disk space is occupied and that means the peripherals suffer some. The graphics and sound effects are average at best. It’s difficult to tell enemies apart from terrain at times and the music and SFX are generic. The voice acting in the single-player campaign is alright, nothing special though.

The selling point for this game is definitely the multiplayer and so if you are a fan of first-person shooters with huge arenas and settings and devote hours of time towards the multiplayer function on most of your games, then this game is for you. If you are looking for an immersive single player campaign experience with a huge background story, then you will want to steer clear of Section 8.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 7.5: There is nothing spectacular about the visuals for Section 8. The players themselves are nice looking, but a lot of simple backgrounds and terrains to keep the strain on the 32-player multiplayer to a minimum keeps this at an average score.

Audio: 7.0: Generic SFX and lackluster music is definitely not the highlight of this gaming experience. The voice acting is decent in the single player campaign, but not good enough to boost this average display.

Plot/Plot Development: 4.0: There isn’t much to the plot. You’re a suicidal soldier in the “Section 8″ squad and you are trying to quell some rebel forces. The plot flew by as the campaign only takes up a couple hours of your time, but again, this game focused solely on the multiplayer and the campaign was more of an after-thought.

Gameplay: 8.0: The game flows smoothly and is especially impressive when in full 32-player mayhem. The lock-on and targeting systems can be a little frustrating at times so I have to dock a couple of points, but overall this is an enjoyable experience.

Replay Value: 8.0: If you love multiplayer, this is the game for you. Constantly changing scenarios and being allowed to update your strategies on the fly between spawns makes this a multiplayer dream. I have to take a couple points off for there really being nothing in the campaign to bring you back after the first play through.

Overall (not an average): 6.5: If you are not a multiplayer fanatic, it is hard to recommend this game as the single player campaign isn’t very appeasing at all. This is not Gears of War or Halo. However, if you love the thought of ever-changing multiplayer scenarios, love interacting with people online, and have an Xbox Live gold account or a sweet modem, then this game is going to be worth a look, but I would rent it before buying it to make sure.

Section 8 is available now for Xbox 360 and PC.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Of course, they are called risks for a reason. Sometimes people may not be receptive to the idea or the execution isn’t as tight as it needs to be and sometimes the idea sounds great until you actually see it implemented. I think Raven Squad for the Xbox 360 and PC falls into that latter category.

The setting is the jungles of Brazil a couple of years from now and you play as a group of six mercenaries who are broken into two groups of three for assault and infiltrating purposes.

You are on what is advertised as a standard mission to take down some local drug runners. It is only later you find out you have been dropped into the middle of a Brazilian Civil War. Now, you have to try and navigate the lush Amazon Rainforest as you dodge bullets and maybe restore a little peace along the way, as you and your squad mates try to find an escape route that doesn’t involve your heads on stakes.

The plot may not be the most original, but when executed properly, everyone loves mercenary first-person shooters. The twist with Raven Squad is that it is also a real-time strategy game.

What? A FPS and RTS all in one game? I know, I did a double take myself when I heard that since I can’t remember it being tried on this scale before.

The good news is that the transition between these modes is flawless and makes for interesting strategy development as you control one of your three man squads from the bird’s eye view of a RTS and move your other squad along the ground from the eyes of Paladin, the squad’s leader.

The problem with the RTS mode is that you can see the entire layout of the land and therefore make your FPS strategy according to that. Since you see where all the enemies are, there is almost no point to the FPS mode since it is so much easier to take out your enemies from RTS view while the enemy A.I. stays in a FPS state the entire time. This additional mode also consumes so much disk space that the graphics in FPS mode are poor at best and the music and voice acting is abysmal.

The defense for this is that the developers say they were aiming to play off the cheesiness of the 1980s movies this was based off, but I have a hard time buying that because cheesy would be a compliment to the poor acting performances given in this game.

Another poor aspect of the game is that there is a nice co-op mode with each person being able handle one of the three man groups, but there is no versus mode where this game needed a 12 player total team vs. team versus mode to really make it worth more than a once playthrough.

So an unoriginal plot mixed with bad peripherals, no versus mode, and an interesting concept usually isn’t enough to garner a buy for a game, but if you were as curious as I was when I heard they were mixing RTS and FPS elements, Raven Squad would probably be a very solid rental for you.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 6.0: The graphics are sub-par for a FPS, but pretty solid for an RTS. Since this combines many of both, but the cut scenes look very poor, I can only give a below average score.

Audio: 4.0: The worst voice acting I have ever heard, hands down. The music is alright and the SFX work, but the voice acting is a constant reminder of nails on a chalkboard.

Plot/Plot Development: 7.5: It is hard sometimes to look at the plot objectively since the dialogue drives most of it and the dialogue isn’t bad, just the people delivering it. So when I finally look at the actual plot, I don’t feel bad about giving it an average score. Nothing original about it, but it makes sense and flows well.

Gameplay: 7.0: A few obvious glitches are annoying, but not enough to take away from the overall experience. The smooth transition from RTS to FPS mode and back are nice, but the execution, especially in FPS mode, is average at best.

Replay Value: 4.0: Aside from a co-op multiplayer mode, there really isn’t a lot to bring you back for this game. A versus mode would have been fantastic and no collectibles to speak of really means this game doesn’t offer a lot to bring you back for.

Overall (not an average): 6.0: Like I said at the beginning of the article, I love it when game developers take risks on games with different ideas. Unfortunately not all of them pan out the way they were originally imagined. The concept of a RTS/FPS game is great, but once executed, you see that the game is just too simple as you can use it to basically cheat as the A.I. operates in a FPS mode the entire way through. When you can see the enemy and they can’t see you, it is very easy to win.

Raven Squad is available now for Xbox 360 and PC.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

One of the movies that I tried to help gain revenue was Gerard Butler’s new sci-fi action flick, Gamer. Set in the near future, nanotechnology has evolved to the point where it allows video games to become the ultimate form of escapism and entertainment as players no longer control digital avatars, but instead actual people.

Gerard Butler plays “Kable”, a convict on death row for murder who is the star avatar in the most popular future first-person shooter game, “Slayers”. The purpose of the game is if the player and his avatar can survive 30 matches in a row, the convict earns his freedom and the player basically is hailed like an A-list celebrity.

As “Kable” approaches his legendary 30th match, the mind behind the game, Ken Castle, realizes he can’t let “Kable” win without having his darkest secrets revealed to the public and begins stacking the odds against “Kable” and his controller in a battle of digital wits.

Billed as more action than 300 and more originality than Death Race, this movie failed on both those fronts.

There were too few action sequences for this to be a full-fledged action movie and the few there were in the movie were much too short for my liking considering that these video games are supposed to be worldwide sensations and the biggest Pay-Per-View events in the history of television.

This movie was advertised as a 95-minute check your brain at the door blood fest and instead had a deep-rooted message about the dangers of technology and a sensationalistic existence. The relationship between “Kable” and his controller was barely explored at all and instead focused on “Kable” longing to be with his family and what he was fighting for.

This easily could have been a great buddy action flick with the difference being that the partners are really living one existence in the game and how they had to work together to take down the man. That concept could have been so much more entertaining than what Gamer ended up being.

The visuals were great, especially when describing the other sensationalistic video game, “Society”, that was like a live-action Sims game, but with more gratuitous nudity. Aside from that there really wasn’t enough to make this worthwhile to see in the theatre.

I look at Gamer and I think of wasted potential. The acting was good and the visuals were good, but when a movie is advertised as a hardcore action movie and comes across more as a preachy drama, I think you lost your mission statement at some point and therefore will lose your audience.

Because of the lack of originality and the lack of action, I can’t in good conscience give this a good score. At best, this is a worthy rental on a slow weeknight, but not worth the price of admission at a theatre.

Gamer gets a 2 out of 5.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

After many delays, Batman: Arkham Asylum has finally arrived. Written by long-time Batman comic and cartoon writer, Paul Dini, this original Dark Knight tale might not only go down as the greatest comic book video game to date, but it is my current choice for the 2009 Game of the Year.

The basic premise of the game is that our hero has caught the Joker once again after he broke free to wreak havoc on Gotham. As Batman helps the Arkham guards escort the Joker to his comfy corner cell, the Joker, in a unique haphazard way all his own, breaks free from their grasp and reveals that his true plot was to lure the Dark Knight into his grandest trap yet, an asylum run by the inmates.

Now the Dark Knight must fight his way through some of his most fearsome foes on their home turf along with a few hundred of Joker’s cronies from Blackgate Prison (that just so happened to be transferred to Arkham in time for Joker’s “surprise party”) as he tries to restore order in the most chaotic situation he has ever been immersed in.

Any Batman fan immediately knows the implications when any story arc will weave its way through Arkham Asylum, never mind an entire video game plot. This is where Batman drops off his degenerate villains after he disrupts their “master plans” to destroy, torment, or conquer Gotham, no matter what they might be. So for the Dark Knight to be surrounded by hundreds of these thugs, lowlifes, and insane super-criminals for an extended period of time, does not bode well for the Caped Crusader as his mind will be tortured just as much as his body.

The look for this game is anything but torture for the player though. The first and most striking aspect of this game is how beautiful it looks. From the gothic architecture of the Old World style buildings of Arkham to the movement of Batman’s cape, the graphics for this game are unreal. You could, for a minute, forget you are playing a game and fool yourself into thinking you’re watching one of the movies.

After you examine the looks for a game, the next thing most people notice is how a game sounds. With an orchestral theme worthy of the movies and superb voice acting from many of the same people who voiced the characters from Batman: The Animated Series including Poison Ivy, Killer Croc, Harley Quinn, and, of course, Batman and the Joker and you have the most pleasant audio experience you could hope for from any video game.

So the peripherals for the game are superb. But what about the gameplay? I can say with full confidence that this was the most engrossing and intense game I have played in a long time. From the FLAWLESS fighting mechanic where you can just string together amazing, free-flowing, bone-crunching combos on thugs to truly stepping into the Dark Knight’s boots as you prey on unsuspecting, gun-toting criminals from the shadows and stringing up goons from gargoyles as a sign for others that you are coming for them and no amount of Joker face paint will save them from your righteous vengeance, there is not a more pleasurable gaming experience to be had from any game I’ve played in the recent past.

Not to mention that the more foes you pummel, the more gadgets and combo moves you can purchase with experience points to give yourself an arsenal truly worthy of Gotham’s Guardian. It is a great feeling to take a thug out of a fight permanently by breaking his ankle or dislocating his shoulder with some upgraded counter moves or bringing an armed henchman to his knees from the shadows with a special sonic emitting batarang without him even knowing you were ever there.

The only weak point the game might have is in replay value. Although it is wonderful to explore every nook and cranny of the massive Arkham Island, once through is really enough to get the full story. There are special collectibles that the Riddler leaves in order to try to test your detective skills, but any decent Batman fan should be able to crack the references rather easily on the first time through.

There is an extra challenge mode where you can step into the boots of the Dark Knight (and the purple wingtips of the Joker if you pick up the PS3 version) as you try to either pummel as many thugs as you can while building up a high score or sneaking around and taking out as many thugs as stealthily as you can as you race the clock, but they grow stale quickly so the only drawback would be that this game just doesn’t give you enough to keep bringing you back for much more.

In the end, the game probably offers a solid 15 hours of gameplay even if you solve all of the Riddler’s riddles and the live up to the challenges of the Challenge Mode. The game is a beautifully crafted masterpiece that plays out like an awe-inspiring comic arc. I would’ve liked more villains to fight aside from Croc, Ivy, Bane, Harley, Zsasz, Scarecrow, and Joker considering their referencing almost 40 villains as you progress through the asylum with special emphasis on Mr. Freeze and Clayface’s cells, but I guess that just means we’ll have to have a sequel to this spectacular gaming experience.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 10.0: From little details like battle damage to your batsuit as the game progresses to the way your cape flows as you run across Arkham Island makes Batman: Arkham Asylum the most beautiful game I can remember seeing in a long time.

Audio: 10.0: Bringing back a lot of the original voice talent from Batman: The Animated Series brought back some great memories from my childhood as Mark Hamill and Kevin Conroy are the definition of the Joker and Batman. Along with a musical score worthy of a motion picture and the audio couldn’t help but bring a smile to my face.

Plot/Plot Development: 9.0: Although the plot was superb and the development of things kept you guessing at every turn, I dock a point because I’ve seen the “Batman trapped in Arkham” line before, just to a lesser degree. It has never been flushed out like this, but I had flashbacks at certain points of the game to the Knightfall storyline and a few episodes of the cartoon. It was still spectacular to see it portrayed like this though.

Gameplay: 9.5: Only a couple of minor glitches that I can remember if I accidentally swung around a corner too tightly or was forced into a corner by a crowd of thugs. These can be forgiven though considering how smooth the fighting engine is and there is no greater feeling than swooping down from a gargoyle and stringing up a thug as he screams for help.

Replay Value: 5.0: The Riddler collectibles are easy to find, especially as you go back after unlocking certain devices for your utility belt and the Challenge Mode isn’t very challenging so this is the only aspect I thought the game lacked in. Batman: Arkham Asylum is very much a one and done kind of game.

Overall (not an average): 9.5: Aside from the replay value, this game is spectacular in every aspect. It is my choice for the 2009 Game of the Year as of right now and I can’t stress enough that any video game fan, not just Batman fan, will probably fall in love with the awesomeness of this game. I would’ve liked more villains for a longer game also, but I’m just being picky.

Batman: Arkham Asylum is out now for PS3, Xbox 360, and PC.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

To appeal to the hardcore gamer, Nintendo showcased games from third-party developers like Red Steel 2, No More Heroes 2: Desperate Measures (both published by Ubisoft) and a decent selection from SEGA.

The presentation by SEGA was surprising since many associate them with the now-tired and mediocre-at-best Sonic the Hedgehog series. Following the release of the solid hit Madworld (aRunning Man meets Sin City gore-fest exclusive for the Wii), many felt20that SEGA was ready to re-stake a claim as a strong third-party developer. With that in mind, I give you SEGA’s newest exclusive title for the Wii: The Conduit.

In The Conduit, you play as Michael Ford, an agent for a secret government organization known as “The Trust” tasked with keeping the world at peace while protecting America’s interests. You begin by following the orders of your shadowy leader, John Adams, as you attempt to retrieve stolen technology by a terrorist known only as “Prometheus”. As you explore the Washington D.C. metropolitan area, you begin to uncover a conspiracy that reaches into the highest levels of government and involves a lot more than an experimental piece of technology.

In a decision that will change your life and the fate of a nation, you befriend Prometheus as you realize that Adams has his own agenda and that the stolen technology is not of earthly origin. Now, you must wage a one-man war against your government as you try to single-handedly prevent an alien invasion that would spell the fall of life as we know it.

With a game that had as much hype and potential as this one, it’s no surprise that it fell short. It is a surprise, though, that it did not even come close to what was expected of it. As the only true first-person shooter for the Wii, it would have been difficult for hardcore gamers who play the Wii (is that an oxymoron?) to not be satisfied with this game but this game disappoints on every level.

The story had potential, but as it unfolds, it looks and feels like a Perfect Dark rip-off from the N64. It’s a first-person shooter, has government agents, alien invasion, crazy technology, you befriending an enemy, and your friends becoming enemies; an original storyline would have been appreciated.

The game also looked like something from two console-generations ago. Horrible enemy models with environments that looked like amorphous blobs painted on a canvas combine to make this one of the worst looking games to come out in years. I understand the Wii does not have the graphics power of the other consoles, but I’ve seen it do so much better than this.

The music sets a good feel and pace for the game and the sound effects work, but the voice acting is abysmal. Even with Kevin Sorbo (star of the television hit Hercules) as Prometheus (interesting that he is best-known for a Greek demi-god and his character is named after a Greek god), the voice acting is over-the-top to the point of utter absurdity.

Aside from being one of the few first-person shooters for the Wii (namely Metroid Prime 3and Red Steel with everything else worth mentioning really being a rail-shooter), the other appeal for the game was the most highly-touted multiplayer for Wii since Super Smash Bros. Brawl. This is something that would compare to the best of the best on other systems as it allows up to 12 players to play.

This feature may be one of the few saving graces because it reminds me of the old game:Goldeneye (arguably the greatest multiplayer game ever). Unfortunately, with quickly depleted health bars and a horribly-long lobby-load time leaves this needing more polish to be ranked up there with a classic like Goldeneye or modern marvels like Gears of War orHalo.

When all is said and done, this is a short game (8-10 hours of gameplay max) that seems to have been thrown together with spare parts from other games two generations ago. If this is Nintendo’s best effort for hardcore gamers, maybe they’ve accidentally figured out the reason why 60% of people don’t own a home console.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 3.0: I can’t remember giving a game this bad a graphics rating, mainly because the game looks like something from two generations ago. I actually forgot what polygons were until I saw this game. It’s a current generation abomination.

Audio: 6.0: Solid SFX and a catchy soundtrack lay a decent audio foundation, but the instant a character opens its pixilated mouth, the entire experience goes down the toilet. Horrible voice-acting all around drops this score below passable marks.

Plot/Plot Development: 5.0: An old, tired plot that has already been done before and done better at that. The story flows at a break-neck pace that also affects the length of the game itself and gives you the feel that SEGA just had spare parts lying around and wrapped it around an alien-invasion story.

Gameplay: 5.0: The game has slow, unresponsive controls, enemy A.I. permanently set to cannon-fodder, and only 8-10 hours of gameplay. Then again, maybe only 8-10 hours was more of an act of mercy than anything.

Replay Value: 8.0: There is a decent amount of collectibles, achievements, and unlockables that if you are a diehard completionist, it will have enough to bring you back for a second or third playthrough. Add in a multiplayer mode that clearly takes up most of the system’s processing power, even if it still responds poorly after doing so, and you have enough that, if you actually enjoyed this game, you would play it again.

Overall (not an average): 3.0: Aside from the multiplayer mode, this is one of the worst games of the year. It looks like something from 10 years ago that they forgot to touch up before releasing it for the Wii. Avoid The Conduit at all costs.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Christopher Meloni (Law and Order: SVU) as Hal Jordan, Michael Madsen (Reservoir Dogs) as Kilowog, and Victor Garber (Alias) as Sinestro headline an all-star voice cast brought together by Warner Bros. Animation veteran voice casting director Andrea Romano and directed by another WB vet, Lauren Montgomery.

Green Lantern: First Flight deals with how Hal Jordan, one of the most celebrated of the Green Lantern Corps and founding member of the Justice League, came into possession of the galaxy’s most powerful weapon, a Green Lantern ring. It also goes into depth with the beginnings of his relationship with Sinestro, once thought to be the greatest of all the Green Lanterns, and now Jordan’s greatest foe.

One of the movie’s greatest strengths also may have been its greatest flaw in that Jordan gets his ring within the first five minutes of the movie. Although it throws you right into the action with him having to prove himself against Sinestro, Boodikka, Tomar Re, and Kilowog (all major ranked officers in the Corps) before he gets shipped to Oa (the Green Lantern Universal Headquarters) for basic training, you don’t get a real sense of his relationship with Carol Ferris, his boss and main love interest in the comics, or his love of his jo b as a test pilot.

It isn’t a major gripe because as a movie watcher it helps hold your attention for the entire 77 minutes, but as a die-hard fan of the Green Lantern mythology, I wanted a little more depth. Not going into Hal’s relationships on Earth left him as a very one-dimensional character when he left for Oa five minutes into the movie.

Another major gripe was the death of Abin Sur, the Green Lantern who bestows his ring to Hal Jordan upon his death. Atrocius, one of the most dangerous criminals in the galaxy, killed Abin Sur in the comics. In the movie, Cuch, a two-bit henchman, killed him to help further the plot that Sinestro is going to betray the Green Lanterns.

This aspect of the storyline disappointed me because it goes against Sinestro’s character to work with anyone in any kind of a partnership. His ego prevents him from being anything but the alpha dog and having him cavort with space pirates in a conspiracy does not do the character justice.

Along with those gripes is the fact that many of the more infamous, non-Earth based Lanterns are killed off including Boodikka, whose character is completely trashed in the movie, and Tomar Re.

Aside from these inconsistencies from the original comic storylines, the movie is actually very good as a stand-alone tale. It establishes the yellow impurity against the green (although again, nothing like in the comics), turns Sinestro evil very early and shows that he is willing to go to any lengths to achieve his means of establishing his order throughout the galaxy, and shows the Lantern Corps’ early distrust of Hal Jordan before he saves them all.

Overall, the movie is solid and should be watched by any fan of the Justice League or the Green Lanterns, especially considering it is only $12.99 at most stores in regular DVD format. If you want to drop a few extra bucks, you can get the 2-disc special edition (like yours truly) and get an extra three hours of content along with a three and a half inch action figure with 14 points of articulation.

The extra DVD features were definitely worth it. From Geoff Johns, long-time Green Lantern writer, talking about the future of the franchise, the purpose of the movie, and the origins of the characters to episodes of Justice League Unlimited and Duck Dodgers featuring the Green Lanterns, the bonus features were just as good as the movie and make this a must purchase for Green Lantern fans.

My critical points aside, Green Lantern: First Flight is an interesting take on the Green Lantern/Hal Jordan origin story. Combined with some great voice acting from all those involved, this was a fun, action packed watch that can hold your attention the whole way through.

Green Lantern: First Flight gets 4 out of 5.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

The basic plot has you playing as Ryan Lennox, a renegade angel whose methods wer e called into question a few times too often by the holiest of causes and is banished to the earthly plane. His amazing talent with a firearm draws the attention of Lucifer, though, and he offers Ryan the chance to serve him in an attempt to maintain the balance between good and evil as heaven has supposedly procured a weapon that would vanquish sin from the Earth for all time. Now an agent of vengeance, Ryan Lennox must fight both an internal and external battle to maintain the eternal balance.

A decent sounding plot aside, this game is abysmal. The glitches in this atrocity are beyond anything I have ever seen on the current generation of consoles. Freezing after dying, while saving, and/or just standing around and you have easily the most frustrating gaming experience that I’ve had in years.

And that is just from the glitches! Never mind that there is no auto-save or quick save feature so when you do actually get into the plot of the game, on those rare occurrences, and forget to save and then die and get flung back two levels…THAT’S FRUSTRATION.

I understand how easy it is for a PC game to be directly ported to the Xbox due to the Microsoft connec tion, but you have to fix these small, irritating, repetitive errors when you do because console players expect a more streamlined playing experience than those who deal with the PC.

Add in that the graphics haven’t been brought up to speed and do not take advantage of the 360’s capabilities, the music is annoyingly repetitive, and the A.I. tries to overwhelm you more with sheer numbers than any sort of strategy, and you have a horrible gaming experience reminiscent of Goldeneye: Rouge Agent. There is no stealth required in this game and it is more about conserving ammo as you mow down seemingly limitless enemies in each room as the game tries to hold your attention through five sleep inducing levels.

Infernal: Hell’s Vengeance was full of potential considering the abilities to wrap your bullets in hell-fire, teleport, and consume people’s souls for energy. The lack of polish on this game, though, along with a plethora of glitches and a poorly implemented plot leaves me with no choice but to only recommend this game if you find it at the bottom of the $5 bargain bin somewhere.

Ratings are based on a scale of 1 to 10 with 10 being the best.

Graphics: 5.0: Infernal: Hell’s Vengeance looks exactly like the PC game it was ported from. No upgrades or polish added to visuals that were only on par in 2007 leaves this at a sub-par level now, especially considering the capabilities of the Xbox 360. This game is best described as visually lackluster and dull.

Audio: 4.0: Repetitive, uninspired music really takes away from the already poor experience with this game. On top of this, the voice acting sounds like it was done by a cast of anime voiceover rejects. The SFX are solid and is the only audible saving grace forInfernal: Hell’s Vengeance.

Plot/Plot Development: 7.0: This gets a passing score because the overall plot is actually an awesome idea. Fallen angels trying to maintain the balance between good and evil sounds like it could be full of great action sequences that would keep you entertained for a long while. Due to awful story telling and glitches galore, though, the plot is implemented poorly and knocks this back down.

Gameplay: 1.0: Considering all the glitches, lag, and lack of firing accuracy (that’s a big problem since it is a thi rd-person shooter) and I could not give this anything more than my worst possible score.

Replay Value: 2.0: Aside from the three difficulty levels, there is nothing to bring you back to play this again, especially since you should be able to beat the entire game on the hardest difficulty without much effort, just like I did.

Overall (not an average): 3.0: Horrible glitches, abysmal gameplay, no replay value, and a lackluster attempt on the peripherals leaves this game towards the bottom of the bargain bin at best. This was a pitiful effort on porting over what was once a decent PC game over to the Xbox 360. I expected much more from this effort and am horribly disappointed. I would avoid this game at all costs.

Infernal: Hell’s Vengeance is available now for Xbox 360.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

One of the major appeals for the game churned out by EA’s hype machine was the “what if?” premise. Upon your first time selecting Exhibition mode you’re provided a roster that features some of the greatest fighters of all time combined with the greats from today as you mix and match to answer those questions fight fans have always had like, “Who’s better: Ali or Tyson?” or “What would Frazier or Foreman do to Lennox Lewis’s weak chin?”

Disappointingly, there could only be so many boxers included in the game and so some of the other all-time greats, like Rocky Marciano and Floyd Mayweather, had to be excluded. Fortunately for die-hard fans though, there are rumors that they could be available via downloadable content at a later date over Xbox’s or Sony’s respective store systems.

After living out your boxing fantasies in Exhibition mode, you can jump into the create-a-boxer feature and try your hand at the impressive “Legacy Mode” to see if you could work your legend up to somewhere near that of the two athletes that grace the game’s cover. With hundreds of customizable features for your boxer, ranging from blocking styles to the color of your trunks, you’ll feel as if you’re actually living the dream as you begin to work your way up from dingy gyms to some of the most spectacular arenas in all of boxing in an attempt to become the “Greatest Of All Time” (or G.O.A.T. as the game prefers).

The legacy mode isn’t difficult once you’ve figure out the patterns for the mini-games, which constitute the fighter’s training, to raise his stats to near unbeatable levels. On the first go-around, I received the max reward on half the mini-games and began maxing out my stats to the point that “Legacy Mode” just didn’t have the luster to bring me, a more casual boxing fan, back for more after I was 12-0 with 11 KO’s.

Continually, it is once you step into the ring as your created fighter where the game’s hype starts to show a few openings in its airtight defense. If you build up your stats enough (so you turn that chin of yours from glass to granite), you can just button-mash (or analog-stick mash, either way I averaged 1200 punches per 10 round bout, that’s about a punch every 1.5 seconds) your way to victory over almost any opponent. You might not always get a knockout, but unless you’ve imported someone like Ali (whose stats are off the chart) as an opponent you can just keep dropping haymakers and straight rights until the match is over and you have your hand raised.

Aside from the lackluster A.I., the game does deliver on most other fronts. Instead of the system used in previous versions of the franchise (where you would physically apply ice to different parts of your boxer’s face to keep the swelling down and allow him to fight longer) a new, three-level system has been implemented that measures your boxer’s health, stamina, and damage.

Depending how your well your boxer performs, points are awarded to your corner, allowing you to heal and prepare your player as the fight continues. A high punching-accuracy will net you a lot of points. Stunning or knocking down your opponent is worth even more. These points can then be applied to healing your fighter’s damage, restoring health, or rejuvenating his stamina. Obviously, the longer you keep these bars filled up, the better your boxer will be as the fight goes on. A low stamina will mean your punches will have less bite and can be thrown less often. Having high amounts of damage inflicted on your boxer, along with a low health bar, will mean he is more likely to be knocked out. This new system makes it much easier to gauge how well your boxer is doing as the fight progresses and where you might need to make some in-between round adjustments.

Along with the Exhibition and Legacy modes, there is also a strong multiplayer mode where you can fight other boxers, either online or off, and use either imported boxers that you create yourself or boxers from the roster.

Overall, considering that EA Sports lacks any real competition in most sports franchises, it was nice to see the improvements they made on this more distinguished one. It might not have the long-lasting appeal for more casual boxing fans, but hardcore fans will keep thinking they have a puncher’s chance for a long time.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 8.0: The boxers themselves look great, but the backgrounds and in-between round animations lack the polish I would expect from an EA Sports game, considering the time they usually pour into their hit franchises. However, it is still a very strong game visually to the point you can see sweat flying off of your opponents after landing a devastating haymaker.

Audio: 9.0: Joe Tessitore and Teddy Atlas do a great job with authentic ringside commentary and the soundtrack provides you with a beat to get your blood pumping before you step into the ring. Joe and Teddy do get a little repetitive after a while, but that is just expected with sports games nowadays if you play them long enough. The punching sound effects are solid, but not special.

Plot/Plot Development: N/A: It’s a sports simulation.

Gameplay: 7.0: A lackluster A.I. and repetitive motions keep this from being anything more than average. This game is too much of a button masher to make it great, but the new health bar system is one of those changes you didn’t realize you needed until you saw it.

Replay Value: 7.0: Unless EA Sports begins to have other great boxers added as downloadable content, there isn’t much to bring to bring the casual fan back for more. A strong multiplayer or the chance to be known as the G.O.A.T. will bring hardcore boxing fans back for more for a long time, though.

Overall: 8.5: Most of the improvements and changes that EA Sports made between rounds were welcome additions to this franchise that many would argue were needed to be fully rejuvenated. Hardcore boxing fans will be happy to pick this up since it is the best pure boxing game out there right now, but more casual fans will tire of it quickly.

Fight Night Round 4 is out now for the Xbox 360 and PS3.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

When people think of baseball games for the Wii, they usually think of glitchy, unresponsive, second-rate games that don’t compare to other systems’ exclusive franchises.

Both of these problems are solved with Activision’s Little League World Series 2009 for the Nintendo Wii and DS.

Little League World Series 2009 allows you to take control of an already established little league team, or create your own, and try to guide a young group of dreamers to a title run in Williamsport, Pennsylvania.

If you choose to take a pre-loaded team, you can choose from teams from 16 different regions: eight American and eight from the rest of the world.

If you choose to create your own team, you can customize everything from the state or country your team hails from to the color of your catcher’s mitt. Batting stances, equipment brands, hair, eyes, and more are all customizable to the point where you’ll feel like you were playing with the little league team you played for when you were 12 years old.

After selecting your team, you can then take them through the extensive World Series mode as you can go from the regional championships all the way to Williamsport. This is a much more difficult task than it sounds due to the fact that it is round-robin play meaning it is one-and-done for your team if you lose.

To try to help stack the odds in your favor, the game does include two things that can make your team more competitive against the top-tier squads. First, depending on how well your team performs, you can earn attribute points to assign to your players after each game. A little extra juice on your starting pitcher’s fastball or a little more pop from your second baseman could be the difference between a stalled run in the regional tournament and immortality.

The second helpful feature harkens back to the old days of the Madden football games. Stellar performances can earn you special trading cards that can be played in the middle of a game to boost your stats or diminish your opponent’s. Having trouble running the bases? Play a card to boost your team speed for an inning. Need that fly ball to sail over the wall? Play a card to boost your power for an at-bat. This old-school, sports-game feature is a nice addition and will surely change the tide of a game if played properly.

In addition to the World Series mode, there are also a plethora of mini-games and the standard exhibition mode if you want to play a friend in a Midwest versus Mid-Atlantic grudge match.

After playing through a couple of tournaments, I can say that if you only have a Wii, this isn’t a bad way to get your baseball fix, considering your only other option is the abysmal MLB2K9. The controls are simple, but respond well to the Wiimote. If you’re more comfortable using both hands while playing your games, Little League World Series 2009 is also classic controller compatible.

When it comes down to it, if you are looking for just a pure, fun baseball experience on the Wii, this game is probably your best bet. Fun mini-games, a competitive A.I., and none of the superfluous trimmings that usually come with the pro-based games leave this as possibly the best baseball game on the system. Plus, who wouldn’t want to pretend to be a kid again?

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 6.5: The cartoony look will turn a lot of people off because it looks like another game for the Wii that is meant to appeal to only younger players. The vibrant colors and over the top animations do play well and without a glitch, but I think a lot of people would prefer a more serious looking game.

Audio: 8.0: The clang of the aluminum bat and the snap of the catcher’s glove after pouring in a great fastball over the outside corner are sweet sounds to hear that define Little League baseball. Add in Gary Thorne and Brent Musberger for authentic play-by-play and the only thing the audio lacks is a decent soundtrack.

Plot/Plot Development: N/A: It’s a sports simulation.

Gameplay: 8.0: If you play the game without any assists, the fielding can be a bit difficult if you aren’t used to playing with just the Wiimote, but with the game being classic-controller-compatible, it provides a way to remedy this problem. The pitching system could also use a little tweaking since there is a minimum of control over where you can aim the pitch. Otherwise this is a solid baseball game in terms of controls.

Replay Value: 7.5: No online capability is a serious downside for this game, but it is compatible for up to four players offline and has an abundance of mini-games and collectibles to keep you coming back for more.

Overall: 8.0: Considering all of the other options there are out there for the Wii, this is probably your best baseball bet. With the combination of solid controls, good atmosphere, and an authentic feel from professional play-by-play, you have an enjoyable experience on your hands. It could use online capability, less cartoony graphics, and just a little more overall refinement, but otherwise this would be a great pick up for the entire family or any pure baseball fan.

Little League World Series 2009 is out now for the Nintendo Wii and DS.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

This sequel to the smash-hit based off the Hasbro toys and cartoon of the mid-’80s picks up two years after the first movie. The Autobots, led by Optimus Prime (still voiced by Peter Cullen, the same man who voiced him in the cartoon), are now known by the world’s governments and work in tandem with them to cull the persistent Decepticon threat, even after the defeat of their leader Megatron (voiced by Hugo Weaving of the Matrix, V for Vendetta, and Lord of the Rings fame).

After extinguishing the sixth Decepticon attack in eight months against the humans, this time in Shanghai, Optimus receives an ominous threat from the dying Decepticon Demolisher that the Fallen shall rise again. Unsure of how to perceive this threat, the Autobots return to US shores to try to appease political red tape that has arisen from the damage their latest excursion.

Meanwhile, Autobot ally Sam Witwicky (Shia LeBeouf) prepares for college on the East coast by consoling his girlfriend Mikaela (Megan Fox). After delivering her a long-distance-relationship survival kit and breaking the news to Autobot Bumblebee that he will be leaving him behind, Sam begins to pack. As he rummages through his closet, he comes across a shard of the all-knowing All-spark (which was the focus of the first movie) that embedded itself in his clothes.

Upon touching the fragment, Sam has the language of the Autobots and Decepticons, Cybertronian, embedded into his mind with a map of where an ancient Autobot artifact, the Dagger’s Tip, is located. Unable to decipher the information, Sam goes off to college, spasming all the way. Now, as the mystery of the Fallen begins to unfold, the Autobots and Decepticons race to the East coast in order to procure the map from Sam; one side trying to prevent a worldwide catastrophe, the other trying to ensure its outcome.

This movie was amazing. I loved almost every second of it. From the first fight scene in Shanghai five minutes in, to Optimus battling three Decepticons at once midway through, to the final climatic battle between the Autobots and Deceptions in the deserts of Egypt, this movie was non-stop action. It is no surprise, though, that the fight scenes between giant alien robots would look phenomenal from director and special effects guru Michael Bay.

Die-hards of the Transformers will be thrilled with this movie because it held true to a lot of the original cartoon. From the inclusion of the Decepticons’ moon base to Soundwave unleashing his pet robo-dog as an advanced scout were both brilliant moves that only fans of the cartoon will truly appreciate. Die-hards would also recognize all of the extra Transformers that were thrown in to flesh out the rosters, from Mudflap and Beat for the Autobots to Grindor, Sideways, Long Haul, and Devastator for the Decepticons.

These additions though may ostracize more casual fans because they see these brightly-colored robots dropping bombs (literally and figuratively) and they’re barely acknowledged in the movie by their more popular counterparts, such as Bumblebee for the Autobots or Starscream for the Decepticons.

I felt that all of the main characters were used almost perfectly in this big screen visualization of a giant alien robot war. With all the new robots though, I was surprised, as a die-hard myself, that Breakaway wasn’t included for the Autobots (an F-14 fighter jet and the good counterpart to Starscream), but I guess too many planes might take away from everyone’s favorite evil second-banana.

The only other point that takes away from the overall experience is that the movie is two hours and a half hours long. For the most part, it flows surprisingly well for a long movie, but there easily could have been 15 to 20 minutes cut from the entire Cairo excursion scene. It felt drawn out and you just keep asking yourself, “When is Sam going to get to Optimus already?”

Aside from those minor complaints, this movie really delivers the goods. You have funny, memorable characters, like Leo, and John Turturro coming back to reprise his Sector 7 role from the first movie (some would say there were a few too many of these characters, but I understand the need to have a counter-balance between the human and robot characters), deeply dramatic moments, a compelling plot combined with over-the-top action, and giant robots. What else could you ask for from a summer blockbuster?

Transformers 2: Revenge of the Fallen gets 4 out of 5.

One of the problems with most summer blockbusters is that the movie will typically deliver the goods and you’ll have a sub-par video game that takes away from the overall experience. The only exception to this trend, where both the movie and the game have been exceptional, was Spider-Man 2.

Spider-Man 2 finally has some company on that short list.

Transformers 2: Revenge of the Fallen is also an awesome video game. Getting a chance to hop into the driver’s seat of both your favorite Decepticons and Autobots as you follow the plot of this amazing summer blockbuster is a thrill. It appeals to both die-hard and casual fans because it fleshes out the roles of more minor characters from the movie while also letting you wreak havoc or save the day with Megatron and Optimus Prime.

The transformations from vehicle to robot and back are seamless and often necessary to complete the missions in the fastest possible time. You need a fast time in order to get an energon reward (energon is the life force for Autobots and Decepticons) and upgrade your characters’ firepower, speed, recovery time, etc.

As you progress, you can also go back and perform the same missions with different robots. Sometimes Starscream’s fighter jet is more apt for a mission than Long Haul’s dump truck or Iron Haul’s turret ability is more of an asset against a large group of foes you’ll face compared to Bumblebee’s EMP (electro-magnetic pulse) ability.

Along with the ability to replay missions for better scores or to play through two different storylines as either Decepticons or Autobots, there is also an online versus mode that will pit you against different people in team or single death-match, capture-the-flag mode, or Guardian mode where a team has infinite re-spawns until one of the teams’ leaders is defeated. This really ups the ante in terms of the game’s replay value.

Included with these aspects, the unlockables are probably the best feature of all. By meeting certain mission requirements, you can unlock original episodes from the mid-’80s cartoon. There are six episodes in total, three from the Decepticons and three from the Autobots, and this will bring die-hards back time and time again.

The only real knock on the game is that the high-end graphics, such as the transformations and explosions, create a real strain on the system’s processing power. In order to prevent further slow-down, developers had to tone down the backgrounds. Not to say the terrain graphics are bad, they’re just a little bland.

The sound effects are perfect for the game in terms of transformations, explosions, and jets screaming through the air, but the music is generic at best. Aside from this minor complaint, the audio works pretty well.

Overall, this game is a must-have for any Transformers fan because you’ll flash back to all of your battles with your action figures as a kid, except the explosions will be more than you making swooshing sounds. Casual fans will appreciate the game because it will help them get into the lore of Transformers and probably help them understand the movie better because it cuts away all of the superfluous comedy of the plot and gets to the heart of the matter. Either way, Transformers 2: Revenge of the Fallen is a great game that is worthy of this great movie.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 7.5: Nothing special in terms of graphics. The transformers themselves look great and the transformations look smooth, but this needs extra processing power and it leaves the terrain looking bland and monotonous.

Audio: 8.0: The SFX are great and fit the game perfectly, but some generic music takes away from the overall experience enough to dock it a couple points.

Plot/Plot Development: 9.0: The plot follows the movie perfectly in the Autobot storyline and only deviates slightly towards the end for the Decepticons (obviously so that they can win), but does so in a way that was a little bit of a stretch. Aside from this blemish, the plot is just as good as the movie.

Gameplay: 9.0: No glitches to speak of keeps the game flowing at a great pace just like the movie. The only thing that knocks this down a peg is that the targeting system can be a little fickle at times, but not enough to take away from the overall experience.

Replay Value: 10.0: When you offer entire cartoon episodes as unlockables, you’ll be working towards them all night long if need be. Add in high score online leaderboards and a near flawless online versus mode and this game is definitely worth the $60 pricetag.

Overall (not an average): 9.0: Minor aesthetic complaints aside, this game delivers on all fronts. Die-hards will love taking control of their favorite characters and wreaking havoc or saving the day with them and casual fans will love how it fleshes out a story they might have a little difficulty understanding at first. Couple this with tremendous replay value, classic cartoons, and just as many explosions as its movie counterpart and you have a sure winner on your hands.

Transformers 2: Revenge of the Fallen is available now on all platforms.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

In Proto ype, you fill the shoes of Dr. Alex Mercer after he wakes up on a morgue slab with amazing metamorphic abilities; the ability to change his body’s structure at the molecular level into almost anything he can think of. Along with enhanced speed, strength, leaping, and the ability to run straight up walls, Dr. Mercer must use his new found powers to piece together his lost memory and figure out the nature of a pandemic virus that turns those it infects into uncontrollable, zombie-like beasts.

Many people have already found out how good Prototype is considering it sold nearly 500,000 units combined for PS3 and Xbox 360 in its first week, but for those of you who haven’t and are looking for a solid action/adventure game, this is something you should probably consider picking up. The action is frenzied and there are always missions to complete and upgrades to collect. The experience reminded me of the Spider-Man 2 game from the last generation of consoles (also an Activision product), which was easily the best super hero movie/video game adaptation in a long time.

The bounty of powers and possibilities is obviously the biggest draw for this game. From making hammer-fists or blades come out of your arms, creating full body armor and developing limited flight, to absorbing your enemies into your body to regain heath, it’s hard to see how you couldn’t have fun with this on your quest to becoming the ultimate weapon.

The main drawback I felt for the game though was also the big draw; there might actually have been too many powers. All of those choices left a lot of room for experimentation, but usually you filtered out powers you never used and only used these powers during the missions in which you earn them. I never used the heat vision or the shield feature once you developed the full body armor; they were pointless.

Aside from the abundance of powers, there really wasn’t much to complain about with this game. Running up buildings could be difficult at times because it seemed Alex had trouble with any uneven surface; this glitch could be frustrating. But, when you have streets full of New York City residents screaming in terror as hive zombies emerge from infected buildings without any lag, it can be forgiven. Add in music that set the mood perfectly and your senses are kept constantly stimulated.

Unfortunately, again, aside from the powers, there isn’t anything that sets this apart from any other super hero game either. I was able to draw too many parallels to games that come before it. This prevented Prototype from feeling as if it was something truly special and original.

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Although the game lacks multi-player, there are plenty of collectibles scattered around New York City and the opportunity to try and get gold medals on any and all challenges will keep you coming back for more. Plus, there aren’t many things I enjoy more in gaming than climbing to the top of a virtual Empire State Building and then flying off into the skyline.

Prototype is out now for Xbox 360, PS3, and PC.

Ratings are based on a scale of 1 to 10 with 10 being the highest.
Graphics: 9.0: The graphics weren’t overly flashy, but being able to have an abundance of Non-Player Characters on screen at once and having some awesome live-action cut scenes when absorbing enemies make this a visual gem.

Audio: 8.5: There isn’t a theme song that will stick in your head or anything truly memorable, but the music does a fine job of setting the mood. The SFX are all solid and the voice acting is top-notch with voice-acting vets like Phil LaMarr or big screen talent like Barry Pepper lending their talents to the game.

Plot/Plot Development: 8.5: The story is a little predictable in most aspects, however,=2 0a surprise ending and the overall mystery to the game makes this a memorable plot more-than-worthy of the super hero genre.

Gameplay: 7.0: A minimum of general glitches in terms of lag, but the difficulty with running up curved walls, switching between powers in the middle of battle, and aerial attacks make the gameplay only on par with most games of this nature.

Replay Value: 6.0: A lack of a multiplayer mode hurts this game, but it still gets an okay score because there are plenty of collectibles and the chance to replay side-missions for higher scores.

Overall: 8.0 (not an average): The game really revolves around your powers and their development more than anything and this is a huge plus and downfall for the game at the same time. Even considering this dependency on your powers and not a great amount of originality, this game is still worthy of the super hero genre and deserves a look from any action/adventure fan.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

I sheepishly admit that I got addicted to this game for the entire weekend and for someone with as many games as I have to play, to devote an entire weekend to one game, shows how good this game is. It’s not going to dazzle you with graphics, but I think this is easily the best simulation for a sport there is right now, from mimicking the difficulty of sinking a 10 foot putt to trying to play in the rain at Bethpage.

I found myself wanting to throw my controller after every missed putt like I was actually living it. And this was on only the first hole of the Buick Invitational. The new putt-precision system is a nice addition and does make it a little easier for amateurs like myself, but for you pros out there with Tiger, you can simply up the difficulty for that more classic feel.

The putt-precision system though does need a little tweaking. Allowing only one look at how your ball will track is a little frustrating and can actually up the pressure if you see that your current path will send the ball spiraling into the fringe if your corrections aren’t enough to sink the putt. One thing, though, that can really push the casual player away is how the consequences for squandering a putt opportunity, as opposed to a normal shot, are extremely harsh and unforgiving.

If you have the Wii, these problems are a little less noticeable since with the inclusion of the 1:1 Motion Plus sensor with the game, you can judge your shots with a little more accuracy than with the analog stick on a Xbox 360 or PS3 controller making this the first preferred sports game for the Wii, at this point in time. Add in the lack of processing power needed for the simple graphics (grass is grass, whether in 480i or 1080p) and the Wii might be the best buy of the bunch for this particular game.

Along with an extensive career mode, that will lead you through every major as you try to up your stats to near-Tiger levels and became a tour de force, the game now includes a Tournament Challenge mode. In this mode, you can relive some of the most impressive performances in tour history at some of the most famous courses from Bay Hill to Sawgrass to help you unlock new and better clubs and louder and more interesting clothing appare l.

Include live, online tournaments, mini-games, and plenty of other multi-player options; if you are a golf fan, this game is your dream come true. Even if not a golf fan, you’re going to have a good time and find yourself mildly addicted if you’re anywhere near as competitive as someone like me. Just don’t go smashing too many controllers.

The only real knock on the game is as with most sports games that the commentary gets tired very fast and Scott Van Pelt is tired to begin with so you might want to grab your iPod or put a CD on to cover up the droll ramblings. Other than that, this is an early front-runner for sports simulation of the year. Of course, that could change very quickly with Fight Night Round 4 coming out shortly.

Tiger Woods PGA Tour 10 is out now for all systems.

Ratings are based on a score of 1 to 10 with 10 being the highest.

Graphics: 8.0: There aren’t a lot of knocks here in terms of graphics, but it doesn’t exactly push any system’s threshold either. There are only so many ways to make grass look good, especially when not supporting 1080i or 1080p.

Audio: 6.0: A generic music playlist is disappointing considering the lineups EA usually compiles, but it is a golf game. Coupled with repetitive, dry commentary (even for golf) and the audio is a clear weakness for this game.

Plot/Plot Development: N/A: It’s a sports simulation…

Gameplay: 9.0: Although the putting is frustrating to say the least, I think that it adds a level of difficulty that you would only see if you were playing on a real course so I can forgive it. Even having people in the crowd reacting from some shots that slice astray was a nice touch to this spectacular sports simulation.

Replay Value: 10.0: If you like golf, you’ll keep coming back to this game over and over again until next year’s release. Mini-games, online play, an extensive career mode, and now the Tournament Challenge mode along with tons of unlockable content will keep every golfer happy for a long time.

Overall: 9.0: (not an average) The putting system can be frustrating at times and the game doesn’t exactly stimulate the senses. Of course, it’s not like there is any competition for golf games out there since EA has the monopoly on the field like with their Madden franchise. The gameplay, though, is what makes this game and if the game of golf is what gets you pumped up then you’ll be all set for another year as Tiger Woods PGA Tour 10improves on their already high=2 0golf gaming standard.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.

Although a winning concept, Pirates vs. Ninjas Dodgeball is really nothing more than a glorified mini-game. The story mode lacks any real depth beyond a handful of text prompts before each match as you battle your way through various scenarios set before you. These scenes are possibly humorous to a small child, however, the text story is droll and pr edictable to anyone out of pre-school.

The graphics are typical of the Wii with their cartoony goodness, but there aren’t many details to drool over visually because of the overhead observational view of the dodgeball court. Even then the court is rather bland and leaves you wanting more.

On top of lackluster visuals, the audio is dull at best. No voice acting whatsoever and cheesy music and sound effects leave any hardcore gamer just shaking their head.

The gameplay was beyond simple and the inclusion of a homing-shot targeting-system left the game to be no challenge whatsoever. It was nice to see each group of characters have special powers to help delay your opponents, but instead of a dodgeball match, the powers help it de-evolve into what might have been a cooler game, actual pirates versus ninjas.

There isn’t much to bring you to this game a first time, never mind for repeat playthroughs, but at least there a few nice versus options if you can convince a friend to play with you. Other than that though, this game is an instant bargain bin offering and will only appeal to much younger, beginning players, if anyone at all.

Ratings are based on a scale of 1 to 10 with 10 being the highest.

Graphics: 4.0: A lack of details on the court, cut scenes, and an overall emphasis on the cartoony look leaves you looking for more from the looks of this game.

Audio: 2.0: Bad sound effects and worse music, coupled with no voice acting, just shows the lack of production value given to this title.

Plot/Plot Development: 2.0: Text-driven prompts usually, only between two characters, poorly develops a lackluster pseudo-rivalry between all these of fictional fan-favorites. This is just another clear sign of poor-production values.

Gameplay: 2.0: No difficulty whatsoever and an emphasis on powers leave a lot to be desired from the gameplay. To say the game is chaotic and unsatisfying is like only saying the Red Sox and Yankees have a rivalry.

Replay Value: 5.0: If you should get this game and can convince someone to play with you, you might actually find the one, barely-redeeming quality of the game. There are several different versions of dodgeball that may get your more competitive side to emerge. However, there is nothing to bring you back to the story mode.

Overall: 1.0 (not an average): Unfortunately, this makes my list of some of the worst games ever made. The worst part of this awful game is the wasted potential. This game could have been very good, I don’t know if there was a lack of funding or a true development team, but the lack of production values and creativity leaves this game a bitter disappointment. Follow your gut when you look at this game and avoid it.

Pirates vs Ninjas Dodgeball for Wii is out now, probably at the bottom of the bargain bin, if you’re looking to waste a few dollars.

Ray Carsillo’s Geek Stuff is our source for all thing video game and comic book related. Ray is a geek.